David Grimal, Les Dissonances – Shostakovich: Cello Concerto No.1 & Symphony No.5 (2016) [FLAC 24 bit, 96 kHz]

David Grimal, Les Dissonances - Shostakovich: Cello Concerto No.1 & Symphony No.5 (2016) [FLAC 24 bit, 96 kHz] Download

Artist: David Grimal, Les Dissonances
Album: Shostakovich: Cello Concerto No.1 & Symphony No.5
Genre: Classical
Release Date: 2016
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:16:22
Total Tracks: 8
Total Size: 1,20 GB

Tracklist:

01. Xavier Phillips, Les Dissonances – Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto (06:11)
02. Xavier Phillips, Les Dissonances – Cello Concerto No. 1 in E-Flat Major, Op. 107: II. Moderato (10:50)
03. Xavier Phillips, Les Dissonances – Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza. Attacca (05:08)
04. Xavier Phillips, Les Dissonances – Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto (05:03)
05. David Grimal, Les Dissonances – Symphony No. 5 in D Minor Op. 47: I. Moderato (16:31)
06. David Grimal, Les Dissonances – Symphony No. 5 in D Minor Op. 47: II. Allegretto (05:01)
07. David Grimal, Les Dissonances – Symphony No. 5 in D Minor Op. 47: III. Largo (14:43)
08. David Grimal, Les Dissonances – Symphony No. 5 in D Minor Op. 47: IV. Allegro non troppo (12:52)

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Les Dissonances made its first recordings for Ambroise-Naïve, the critical success of which led to the birth of its own label in March 2014.
To celebrate its 10 anniversary, the orchestra’s new Shostakovich album, recorded live at the Opéra de Dijon, is presented complete with an extended tribute piece by Xavier Phillips in memory of his mentor, Mstislav Rostropovich, dedicatee of Shostakovich’s two cello concertos. It follows the label’s high production and design values, offering the disc as part of a hardbound book containing detailed programme notes, Phillips’ essay, artist biographies and monochrome photographs.
“My memories are of an immensely gifted pedagogue, whose advice could be very diverse in nature. With me his approach wasn’t really focused on the instrumental dimension. It was above all a way of talking about music, with images, impressions, sensations, anecdotes. He shed new light, he showed you things, he made you think”. –Xavier Phillips

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