Artist: Czech Chamber Philharmonic Orchestra Pardubice, Dario Salvi
Album: Marschner: Overtures & Stage Music, Vol. 1
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:11:34
Total Tracks: 15
Total Size: 1,20 GB

Tracklist:

1-01. Czech Chamber Philharmonic Orchestra Pardubice – Der Kiffhäuser Berg, Op. 89: Overture (08:45)
1-02. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Overture (06:22)
1-03. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Entr’acte to Act II (02:32)
1-04. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Ballet (12:04)
1-05. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Entr’acte to Act III (01:30)
1-06. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Entr’acte to Act IV (03:24)
1-07. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Marsch der Krieger und Mädchen (02:40)
1-08. Czech Chamber Philharmonic Orchestra Pardubice – Schön Ella, Op. 27 (Excerpts): Entr’acte to Act V (04:12)
1-09. Czech Chamber Philharmonic Orchestra Pardubice – Ali Baba, Op. 26 (Excerpts): Overture (07:24)
1-10. Czech Chamber Philharmonic Orchestra Pardubice – Ali Baba, Op. 26 (Excerpts): Melodrama (01:41)
1-11. Czech Chamber Philharmonic Orchestra Pardubice – Ali Baba, Op. 26 (Excerpts): Schluss to Act II (02:09)
1-12. Czech Chamber Philharmonic Orchestra Pardubice – Ali Baba, Op. 26 (Excerpts): Ballet (06:18)
1-13. Czech Chamber Philharmonic Orchestra Pardubice – Ali Baba, Op. 26 (Excerpts): Schluss to Act III (01:33)
1-14. Czech Chamber Philharmonic Orchestra Pardubice – Der Holzdieb: Overture (04:43)
1-15. Czech Chamber Philharmonic Orchestra Pardubice – Die Wiener in Berlin: Overture (06:11)

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Heinrich Marschner, the leading German composer of Romantic opera between Weber and Wagner, was a progressive innovator, bringing to his music a new dimension – the supernatural anti-hero enmeshed in horror, such as the protagonist of Der Vampyr(1828). Before his psychological operas, however, Marschner composed a series of overtures and stage works exploring more conventional material. These have long been overlooked. In this first volume Schön Ella represents Marschner’s mastery of form, skilful orchestration and melodic gifts, while the excerpts from Ali Baba reveal his flair for theatrical concision and mood setting.