Artist: Collegium Vocale Gent, Orchestre des Champs-Elysees, Philippe Herreweghe
Album: Bruckner: Mass No. 2 in E Minor & Te Deum
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 51:38
Total Tracks: 11
Total Size: 846 MB

Tracklist:

1. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Mass No. 2 in E Minor, WAB 27: I. Kyrie (05:36)
2. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Mass No. 2 in E Minor, WAB 27: II. Gloria (05:16)
3. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Mass No. 2 in E Minor, WAB 27: III. Credo (08:40)
4. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Mass No. 2 in E Minor, WAB 27: IV Sanctus (02:14)
5. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Mass No. 2 in E Minor, WAB 27: V. Benedictus (04:57)
6. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei (04:48)
7. Ann Hallenberg, Collegium Vocale Gent, Philippe Herreweghe, Orchestre des Champs-Elysées, Hanna-Elisabeth Müller & Maximilian Schmitt – Te Deum in C Major, WAB 45: I. Te Deum (05:07)
8. Ann Hallenberg, Tareq Nazmi, Collegium Vocale Gent, Philippe Herreweghe, Orchestre des Champs-Elysées, Hanna-Elisabeth Müller & Maximilian Schmitt – Te Deum in C Major, WAB 45: II. Te ergo (02:36)
9. Collegium Vocale Gent, Philippe Herreweghe & Orchestre des Champs-Elysées – Te Deum in C Major, WAB 45: III. Aeterna fac (01:20)
10. Ann Hallenberg, Collegium Vocale Gent, Philippe Herreweghe, Orchestre des Champs-Elysées, Hanna-Elisabeth Müller, Maximilian Schmitt & Tareq Nazmi – Te Deum in C Major, WAB 45: IV. Salvum fac (05:35)
11. Ann Hallenberg, Tareq Nazmi, Collegium Vocale Gent, Philippe Herreweghe, Orchestre des Champs-Elysées, Hanna-Elisabeth Müller & Maximilian Schmitt – Te Deum in C Major, WAB 45: V. In te domini speravi (05:23)

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Composed in 1866 for the inauguration of a votive chapel in Linz Cathedral, Anton Bruckner’s Mass No. 2 is a fine example of modernity blended with a centuries-old religious tradition, in that wind instruments are set in dialogue with choral writing inspired by Gregorian chant. Shorter in duration but scored for chorus and large orchestra with four soloists, his Te Deum of 1881 was acclaimed by such illustrious contemporaries as Hans Richter and Mahler, while the composer, usually very self-critical, opined that the score of this work would make God ‘judge him kindly’. Like the eminent interpreter of the sacred repertory he is, Philippe Herreweghe here conveys with great fervour his vision of these two major religious works of the second half of the nineteenth century.