Claudia Nascimento – Santoro: Fantasias Sul América & Sonata for Solo Violin (2023) [FLAC 24 bit, 48 kHz]

Claudia Nascimento - Santoro: Fantasias Sul América & Sonata for Solo Violin (2023) [FLAC 24 bit, 48 kHz] Download

Artist: Claudia Nascimento
Album: Santoro: Fantasias Sul América & Sonata for Solo Violin
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 58:12
Total Tracks: 23
Total Size: 591 MB

Tracklist:

1-1. Claudia Nascimento – Fantasia Sul América for Solo Flute (03:35)
1-2. Arcadio Minczuk – No. 1, Andante (00:18)
1-3. Arcadio Minczuk – Fantasia Sul América for Solo Oboe (04:32)
1-4. Arcadio Minczuk – No. 2, Expressivo lento (00:36)
1-5. Ovanir Buosi – Fantasia Sul América for Solo Clarinet (02:59)
1-6. Arcadio Minczuk – No. 3, Lento (00:34)
1-7. Alexandre Silverio – Fantasia Sul América for Solo Bassoon (03:02)
1-8. Arcadio Minczuk – No. 4, Final. Allegro (00:18)
1-9. Fabio Zanon – Fantasia Sul América for Solo Guitar (02:28)
1-10. Luiz Garcia – Fantasia Sul América for Solo Horn (03:38)
1-11. Fernando Dissenha – Fantasia Sul América for Solo Trumpet (02:53)
1-12. Wagner Polistchuk – Fantasia Sul América for Solo Trombone (02:32)
1-13. Filipe Queirós – Fantasia Sul América for Solo Tuba (02:02)
1-14. Olga Kopylova – Fantasia Sul América for Solo Piano (03:33)
1-15. Davi Graton – Fantasia Sul América for Solo Violin (03:53)
1-16. Horácio Schaefer – Fantasia Sul América for Solo Viola (03:08)
1-17. Rodrigo Andrade – Fantasia Sul América for Solo Cello (04:03)
1-18. Pedro Gadelha – Fantasia Sul América for Solo Double Bass (02:52)
1-19. Natália Áurea – Fantasia Sul América for Voice & Piano (03:54)
1-20. Emmanuele Baldini – I. Prelúdio (01:29)
1-21. Emmanuele Baldini – II. Allegro com brio (01:43)
1-22. Emmanuele Baldini – III. Lentamente (01:36)
1-23. Emmanuele Baldini – IV. Allegro gracioso (02:24)

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Claudio Santoro was one of Brazil’s leading composers, having written a considerable amount of solo, chamber and orchestral music, including arguably the most important symphonic cycle ever written in that country. The fifteen Fantasias Sul América, composed as competition pieces for individual instruments, represent fascinating syntheses of his style heard in compressed form. Freely atonal and highly virtuosic, these pieces are now standard repertoire for Brazilian soloists, and were even used later by Santoro as material for his Symphony No. 12 (Naxos 8.574406). The youthful Sonata for Solo Violin is a work of extraordinary density and experimentation that reveals an aesthetically consistent dialogue with the much later Fantasias.

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