Christopher Palameta, Olivia Sham – Berlioz’s Lost Oboe: Early French Romantic Music for Oboe and Piano (2022) [FLAC, 24 bit, 192 kHz]

Christopher Palameta, Olivia Sham - Berlioz's Lost Oboe: Early French Romantic Music for Oboe and Piano (2022) [FLAC, 24 bit, 192 kHz] Download

Artist: Christopher Palameta, Olivia Sham
Album: Berlioz’s Lost Oboe: Early French Romantic Music for Oboe and Piano
Genre: Classical
Release Date: 2022
Audio Format: FLAC (tracks) 24 bit, 192 kHz
Duration: 55:39
Total Tracks: 10
Total Size: 1,92 GB

Tracklist:

01. Christopher Palameta & Olivia Sham – Bochsa: 2 Nocturnes, Op. 50: No. 1 in D Minor (11:43)
02. Christopher Palameta & Olivia Sham – Vogt: Vocalises de Crescentini transcrites pour le hautbois: No. 1, Largo espressivo (02:56)
03. Christopher Palameta & Olivia Sham – Vogt: Vocalises de Crescentini transcrites pour le hautbois: No. 2, Largo (01:58)
04. Christopher Palameta & Olivia Sham – Verroust: Aranjuez, Op. 34 (06:43)
05. Christopher Palameta & Olivia Sham – Brod: Elégie sur la mort d’un objet chéri (05:21)
06. Christopher Palameta & Olivia Sham – Kalkbrenner: Les soupirs de la harpe éolienne, Op. 121: No. 1, Adagio di molto in A-Flat Major (04:36)
07. Christopher Palameta & Olivia Sham – Pixis: Grand Sonata for Oboe and Piano, Op. 35: II. Romanze (05:36)
08. Christopher Palameta & Olivia Sham – Thalberg: L’art du chant appliqué au piano, Op. 70: No. 17, Sérénade de l’opéra “L’amant jaloux” de Grétry (03:05)
09. Christopher Palameta & Olivia Sham – Jadin: Nocturne in A Minor (09:27)
10. Christopher Palameta & Olivia Sham – Schumann: Liederkreis, Op. 39: No. 5, Mondnacht (Transcr. for Oboe and Piano by Christopher Palameta and Olivia Sham) (04:10)

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It is simply a badge of historical injustice that oboists must wear.’ Such was the lament of Leon Goosens, echoing the commonly-held view that the nineteenth century was a time of crisis in the history of the oboe. Like a snowball effect, the idée reçue that the instrument fell into disuse because it was considered incompatible with the aesthetics of Romantic expression has been handed down across generations. This recording unearths a handful of evocative compositions from early nineteenth-century France to provide a reassessment of this commonly-held view. These works, all of which have never been recorded before, belong to a large corpus of neglected nineteenth-century chamber music for oboe and fortepiano, and bear witness to a lively, dynamic tradition of wind playing in France. Performed here on a ten-keyed French oboe by Guillaume Adler (Paris, c.1835) and a fortepiano by Erard (Paris, 1840), these sentimental and lyrical rarities beautifully highlight the unique timbres and playing characteristics of these rare original models.

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