Christian-Pierre La Marca, Lise de la Salle – Paris-Moscou (2018) [FLAC 24 bit, 96 kHz]

Christian-Pierre La Marca, Lise de la Salle - Paris-Moscou (2018) [FLAC 24 bit, 96 kHz] Download

Artist: Christian-Pierre La Marca, Lise de la Salle
Album: Paris-Moscou
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:14:37
Total Tracks: 14
Total Size: 1,09 GB

Tracklist:

1-01. Christian-Pierre La Marca & Lise de la Salle – Pavane, Op. 50 (Arr. for Cello and Piano) (05:26)
1-02. Christian-Pierre La Marca & Lise de la Salle – Elegie pour violoncelle et piano, Op.24 (06:51)
1-03. Christian-Pierre La Marca & Lise de la Salle – Mon coeur s’ouvre a ta voix (03:10)
1-04. Christian-Pierre La Marca & Lise de la Salle – Sicilienne pour violoncelle et piano, Op.78 (03:42)
1-05. Christian-Pierre La Marca & Lise de la Salle – Berceuse, Op. 16 (Arr. for Cello and Piano) (03:43)
1-06. Christian-Pierre La Marca & Lise de la Salle – Papillon, Op. 77 (02:56)
1-07. Christian-Pierre La Marca & Lise de la Salle – Werther: Pourquoi me reveiller (02:56)
1-08. Christian-Pierre La Marca & Lise de la Salle – Mavra: Russian Song (03:50)
1-09. Christian-Pierre La Marca & Lise de la Salle – Sonate pour violoncelle et piano en sol mineur, op.19: I. Largo, Allegro moderato (13:55)
1-10. Christian-Pierre La Marca & Lise de la Salle – Sonate pour violoncelle et piano en sol mineur, op.19: II. Allegro scherzando (06:30)
1-11. Christian-Pierre La Marca & Lise de la Salle – Sonate pour violoncelle et piano en sol mineur, op.19: III. Andante (06:06)
1-12. Christian-Pierre La Marca & Lise de la Salle – Sonate pour violoncelle et piano en sol mineur, op.19: IV. Allegro mosso (11:12)
1-13. Christian-Pierre La Marca & Lise de la Salle – L’amour des trois oranges, op. 33: Marche (01:46)
1-14. Christian-Pierre La Marca & Lise de la Salle – Le Conte du tsar Saltan, op. 57: Le vol du bourdon (02:28)

Download:

Christian-Pierre La Marca and Lise de la Salle recall the intense musical relationship between Paris and Moscow through works by Rachmaninoff and Fauré, alongside transcriptions for cello and piano of opera arias by Saint-Saëns, Prokofiev, Stravinsky, Tchaikovsky and many more.

Wonderful moments of an artist in the making; promise of so much still to come. Just as nothing in her piano playing appears excessively rushed or overdriven, so the steady growth of Lise de la Salle’s career shows a careful sense of responsibility. What counts is not meteoric success, but staying power. And that career has been accompanied right from the start by a benevolent astonishment, a knowing delight, on the part of both professionals and the general public. There is nothing hysterical about this: her admirers constantly look forward to seeing what new shores she will reach, what the future holds for her by way of new discoveries, maturity and daring.

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