Chiara Minali – Speth: Ars Magna Consoni et Dissoni, Music for Organ (2022) [FLAC 24bit, 96 kHz]

Chiara Minali - Speth: Ars Magna Consoni et Dissoni, Music for Organ (2022) [FLAC 24bit, 96 kHz] Download

Artist: Chiara Minali
Album: Speth: Ars Magna Consoni et Dissoni, Music for Organ
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 01:54:08
Total Tracks: 21
Total Size: 1,93 GB

Tracklist:

1-1. Chiara Minali – Toccata Prima oder Erstes Musicalisches Blumen Feld (05:00)
1-2. Chiara Minali – Toccata Secunda oder Zweytes Musicalisches Blumen Feld (05:07)
1-3. Chiara Minali – Toccata Tertia oder Drites Musicalisches Blumen Feld (03:45)
1-4. Chiara Minali – Toccata Quarta oder Viertes Musicalisches Blumen Feld (03:49)
1-5. Chiara Minali – Toccata Quinta oder Fünfftes Musicalisches Blumen Feld (02:43)
1-6. Chiara Minali – Toccata Sexta oder Sechstes Musicalisches Blumen Feld (04:23)
1-7. Chiara Minali – Toccata Septima oder Sibendtes Musicalisches Blumen Feld (02:33)
1-8. Chiara Minali – Toccata Octava oder Achtes Musicalisches Blumen Feld (03:03)
1-9. Chiara Minali – Toccata Nona oder Neundtes Musicalisches Blumen Feld (02:57)
1-10. Chiara Minali – Toccata Decima et ultima oder Zehendes Musicalisches Blumen Feld (03:29)
1-11. Chiara Minali – Partite diverse sopra l’aria detta la Todesca (07:35)
1-12. Chiara Minali – Partite diverse sopra l’aria detta la Pasquina (06:01)
1-13. Chiara Minali – Partite diverse sopra la Spagnioletta (06:59)
1-14. Chiara Minali – Magnificat primi Toni (07:27)
1-15. Chiara Minali – Magnificat secundi Toni (06:01)
1-16. Chiara Minali – Magnificat tertii Toni (07:10)
1-17. Chiara Minali – Magnificat quarti Toni (06:51)
1-18. Chiara Minali – Magnificat quinti Toni (07:14)
1-19. Chiara Minali – Magnificat sexti Toni (07:28)
1-20. Chiara Minali – Magnificat septimi Toni (06:45)
1-21. Chiara Minali – Magnificat octavi Toni (07:38)

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The music of Johann Speth (1664-1719) has featured here and there on many compilations of instrumental music from mid-17th century Germany. However, until now there has never been a complete recording of the sole collection which carries his name down to us today. Published in 1693, this volume of keyboard toccatas, partitas and Magnificats takes its title from an influential treatise on the science and aesthetics of music from 1650 by the Jesuit scholar Athanasius Kircher.

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