Artist: Cheap Trick
Album: One On One
Genre: Rock
Release Date: 1982/2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 34:27
Total Tracks: 11
Total Size: 782 MB

Tracklist:

01. Cheap Trick – I Want You (03:01)
02. Cheap Trick – One On One (03:04)
03. Cheap Trick – If You Want My Love (03:36)
04. Cheap Trick – Oo La La La (03:14)
05. Cheap Trick – Lookin’ Out For Number One (03:42)
06. Cheap Trick – She’s Tight (02:57)
07. Cheap Trick – Time Is Runnin’ (02:19)
08. Cheap Trick – Saturday At Midnight (02:58)
09. Cheap Trick – Love’s Got A Hold On Me (02:34)
10. Cheap Trick – I Want Be Man (03:19)
11. Cheap Trick – Four Letter Word (03:37)

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One On One is the legendary rock band’s Gold-certified classic. Cheap Trick is listed as one of VH1’s “100 Greatest Artists of Hard Rock” and have often drawn comparisons to the Beatles.One On One was a pivotal release by Cheap Trick and was an instant favorite. It features the standouts “Saturday At Midnight,” “If You Want My Love” and “She’s Tight.”Tom Petersson left Cheap Trick following the George Martin-produced All Shook Up, and the band was somewhat left in a lurch, recording 1982’s One on One largely without a bassist; eventual replacement Jon Brant is on record and on the cover, but he’s obscured by a picture of Rick Nielsen, possibly because the guitarist handled the bulk of the basslines on the LP. In any case, One on One finds Cheap Trick rebounding from Martin with a slick, punchy, AOR record, hemmed in a bit by stiff sequenced rhythms — you can almost feel Bun E. Carlos straining against the metronome — but sparkling in its analog synths and pumped-up guitars. No, it’s not as ballsy as Cheap Trick’s best, but its glossy glimmer is appealing, a combination of heavy metal roar and new wave strut, and would be more so if the songs were just a bit tighter. Sometimes, Nielsen winds up knocking it out of the park — the title track grinds nicely, “She’s Tight” is good and sleazy — but there are several truly odd detours, usually when the group veers too strongly toward the new wave, like on the awkward, clanking “Saturday at Midnight” and the stiff Devo misinterpretation “I Want Be Man.” These tracks accentuate the album’s 1982 artifact appeal, but ironically, are the things that kept it from being a blockbuster at the time. ~~ AllMusic Review by Stephen Thomas Erlewine