Charlie Haden Quartet West – Sophisticated Ladies (2011) [FLAC 24 bit, 96 kHz]

Charlie Haden Quartet West - Sophisticated Ladies (2011) [FLAC 24 bit, 96 kHz] Download

Artist: Charlie Haden Quartet West
Album: Sophisticated Ladies
Genre: Jazz
Release Date: 2011
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:00:22
Total Tracks: 12
Total Size: 1,22 GB


1. Charlie Haden Quartet West – If I’m Lucky (feat. Melody Gardot) (05:39)
2. Charlie Haden Quartet West – Sophisticated Lady (04:28)
3. Charlie Haden Quartet West – Ill Wind (feat. Norah Jones) (04:25)
4. Charlie Haden Quartet West – Today I Am A Man (05:23)
5. Charlie Haden Quartet West – My Love And I (feat. Cassandra Wilson) (04:14)
6. Charlie Haden Quartet West – 6. Theme from “Markham” (04:40)
7. Charlie Haden Quartet West – Let’s Call It A Day (feat. Ruth Cameron) (05:52)
8. Charlie Haden Quartet West – Angel Face (04:08)
9. Charlie Haden Quartet West – A Love Like This (feat. Renée Fleming) (05:13)
10. Charlie Haden Quartet West – My Old Flame (05:35)
11. Charlie Haden Quartet West – Goodbye (feat. Diana Krall) (05:48)
12. Charlie Haden Quartet West – Wahoo (04:52)


Grammy winning bassist Charlie Haden celebrates the 25th anniversary of his celebrated quartet with twelve breathtaking instrumental and vocal-driven tracks that recall Swing-era jazz. Grammy winning pianist and arranger Alan Broadbent’s spiraling string arrangements lend the music an old Hollywood/film noir flair behind the all-star cast of guest vocalists. Highly recommended.

Listening to it from the beginning to the end is like being trapped in a dream with a twisty plot that draws you deeper and deeper into a period Hollywood fantasy of the bad and the beautiful. -Stephen Holden, New York TimesBassist extraordinaire Charlie Haden has always prized diversity in his music, whether reaching for the outer limits with Ornette Coleman a half-century ago, leading his own experimental Liberation Music Orchestra or, in 2008, celebrating his roots in what’s now called Americana on Rambling Boy, a Grammy-nominated album that featured contributions from Elvis Costello, Béla Fleck, and others. As they mark their 25th year together, Haden’s Quartet West — not so much a side trip at this point as a comfy base to occasionally return to — offers up Sophisticated Ladies, a collection split between collaborations with superstar female vocalists and rich instrumentals, nearly all of it heavily orchestrated. The set expands upon the concept Haden first explored in 1999 on The Art of the Song, which utilized vocalists Shirley Horn and Bill Henderson on various film songs and standards. This time, with tenor saxophonist Ernie Watts, pianist/arranger Alan Broadbent (both mainstays of the quartet), and drummer Rodney Green, Haden goes for a lush, all-embracing sound that suggests a warm, cozy mood that reflects a time — which may or may not ever have existed — when life was much less hectic. The recording largely pays tribute to the romantic balladry of the mid-20th century, and Haden’s choices of both material and guest artists allow him to bring that concept to fruition gloriously. Diana Krall, leading the back-to-back “Goodbye” and “Wahoo,” closes out the album: the first is a whispery take on the Gordon Jenkins number that served as Benny Goodman’s theme song, and the latter an uptempo swinger written by Benny Harris. Norah Jones was a natural pick for a set that values classiness and sensuality, and her “Ill Wind,” penned by Harold Arlen and Ted Koehler and arranged by Haden, exudes a smoky nightclub ambience, Broadbent’s piano lending a blues touch to Jones’ soothing delivery. Cassandra Wilson is another inspired pick, and her interpretation of Johnny Mercer’s “My Love and I,” bathed in strings and elegance, is a highlight of the set. The album’s other vocal performances — by Melody Gardot, Renée Fleming, and Ruth Cameron — are also memorable, but not to be overlooked are the non-vocal tracks. Hank Jones’ bluesy “Angel Face” is simultaneously sweet and melancholy, while Steve Khun’s fiery “Today I Am a Man” is the swingingest number here. And of course, Haden couldn’t very well title his album Sophisticated Ladies without including Duke Ellington’s “Sophisticated Lady,” which matches Watts’ bold saxophone licks to another luxuriant orchestration. Sophisticated Ladies does fall just short at times of mimicking a brand of saccharine faux-post-big-band jazz that flourished in the ’50s and early ’60s, but Haden and his team are too masterful to allow their tribute to lose its stylishness and, of course, its sophistication.

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