Charles Owen, Katya Apekishiva – Rachmaninov: Two-Piano Suites & Six Morceaux, Op. 11 (2018) [FLAC 24 bit, 96 kHz]

Charles Owen, Katya Apekishiva - Rachmaninov: Two-Piano Suites & Six Morceaux, Op. 11 (2018) [FLAC 24 bit, 96 kHz] Download

Artist: Charles Owen, Katya Apekishiva
Album: Rachmaninov: Two-Piano Suites & Six Morceaux, Op. 11
Genre: Classical, Piano
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:10:29
Total Tracks: 14
Total Size: 1,04 GB

Tracklist:

01. Charles Owen, Katya Apekishiva – Suite No. 1 in G Minor, Op. 5 “Fantaisie-tableaux”: No. 1, Barcarolle (07:57)
02. Charles Owen, Katya Apekishiva – Suite No. 1 in G Minor, Op. 5 “Fantaisie-tableaux”: No. 2, Oh Night, Oh Love (05:53)
03. Charles Owen, Katya Apekishiva – Suite No. 1 in G Minor, Op. 5 “Fantaisie-tableaux”: No. 3, Tears (06:05)
04. Charles Owen, Katya Apekishiva – Suite No. 1 in G Minor, Op. 5 “Fantaisie-tableaux”: No. 4, Easter (02:53)
05. Charles Owen, Katya Apekishiva – Suite No. 2 in C Major, Op. 17: I. Introduction (04:06)
06. Charles Owen, Katya Apekishiva – Suite No. 2 in C Major, Op. 17: II. Waltz (06:29)
07. Charles Owen, Katya Apekishiva – Suite No. 2 in C Major, Op. 17: III. Romance (06:58)
08. Charles Owen, Katya Apekishiva – Suite No. 2 in C Major, Op. 17: IV. Tarantella (06:10)
09. Charles Owen, Katya Apekishiva – 6 Morceaux, Op. 11: I. Barcarolle (05:04)
10. Charles Owen, Katya Apekishiva – 6 Morceaux, Op. 11: II. Scherzo (02:53)
11. Charles Owen, Katya Apekishiva – 6 Morceaux, Op. 11: III. Thème russe (04:10)
12. Charles Owen, Katya Apekishiva – 6 Morceaux, Op. 11: IV. Valse (04:06)
13. Charles Owen, Katya Apekishiva – 6 Morceaux, Op. 11: V. Romance (03:04)
14. Charles Owen, Katya Apekishiva – 6 Morceaux, Op. 11: VI. Glory (04:36)

Download:

Pianist Charles Owen and his regular duo partner Katya Apekisheva turn to Rachmaninov’s diverse Suites for two pianos, and the composer’s atmospheric Six Morceaux, for their first joint recording for AVIE. The co-founders of the London Piano Festival delve into the quintessentially Russian Suite No. 1, also known as “Fantasise-Tableaux”, with its poetic inspirations, and the more traditional Suite No. 2 which marked Rachmaninov’s compositional comeback after a four-year hiatus. Rounding out the album, Charles and Katya share the piano bench for the atmospheric piano-four hands Six Morceaux.

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