Artist: Carolyn Hester
Album: Scarlet Ribbons
Genre: Folk
Release Date: 1958/2019
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 34:06
Total Tracks: 12
Total Size: 261 MB

Tracklist:

1-1. Carolyn Hester – Scarlet Ribbons (For Her Hair) (Remastered) (03:37)
1-2. Carolyn Hester – I Know Where I’m Going (Remastered) (03:03)
1-3. Carolyn Hester – The Texan Boys (Remastered) (01:43)
1-4. Carolyn Hester – Danny Boy (Remastered) (03:41)
1-5. Carolyn Hester – Ye Banks And Braes (Remastered) (02:38)
1-6. Carolyn Hester – The Wreck Of The Old Ninety-Seven (Remastered) (02:11)
1-7. Carolyn Hester – Black Is The Color Of My True Love’s Hair (Remastered) (03:22)
1-8. Carolyn Hester – The Riddle Song (I Gave My Love A Cherry) (Remastered) (02:51)
1-9. Carolyn Hester – Lolly Too Dum (Remastered) (03:01)
1-10. Carolyn Hester – Little Willie (Remastered) (01:37)
1-11. Carolyn Hester – Hush A Bye (Remastered) (02:08)
1-12. Carolyn Hester – I Wonder As I Wander (Remastered) (04:09)

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Hester’s rare late-’50s debut album is a sedate, if quite prettily sung, traditional folk record. Even more so than Hester’s self-titled early-’60s album for Tradition, this has a reverent recital quality in the John Jacob Niles school that, while admirable in its purity, is also kind of sterile. (Niles is in fact credited with three of the adaptations here, including the famous “Black Is the Color of My True Love’s Hair.”) Whether or not Joan Baez was influenced by this specific record, Hester’s high voice and pristine execution certainly foreshadow the kind of recordings made by several high-voiced woman folksingers (Baez, Judy Collins, and others) in the early-’60s folk revival. There’s also a much fainter foreshadowing of folk-rock in the presence of Jerry Allison, drummer for Buddy Holly & the Crickets, who plays brushes on a cardboard box on “The Wreck of the Old Ninety-Seven.” Too, Holly producer Norman Petty nabs the co-credit for the adaptation of “Hush-A-Bye.”