Artist: Carolina Pace
Album: Morgen des Lebens
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 57:29
Total Tracks: 20
Total Size: 985 MB

Tracklist:

1-01. Carolina Pace – Fantasia con echo for Recorder & Piano (After Van Eyck) (02:47)
1-02. Carolina Pace – Recorder Sonata in E Major: I. Ruhig bewegt (01:53)
1-03. Carolina Pace – Recorder Sonata in E Major: II. Lebhaft (01:57)
1-04. Carolina Pace – Recorder Sonata in E Major: III. Langsam (03:45)
1-05. Carolina Pace – Recorder Sonata in E Major: IV. Gigue. Sehr schnell (03:09)
1-06. Carolina Pace – Recorder Sonata in C Minor “In modo Preclassico”: I. Andante affettuoso (01:56)
1-07. Carolina Pace – Recorder Sonata in C Minor “In modo Preclassico”: II. Allegro (02:20)
1-08. Carolina Pace – Recorder Sonata in C Minor “In modo Preclassico”: III. Adagio (02:00)
1-09. Carolina Pace – Recorder Sonata in C Minor “In modo Preclassico”: IV. Allegro assai (01:29)
1-10. Carolina Pace – Praeludium for Recorder & Piano “Morgen des Lebens” (07:00)
1-11. Carolina Pace – Immortelle for Recorder & Piano (02:53)
1-12. Carolina Pace – Furioso, Gigue und Aria for Recorder & Piano: I. Furioso (02:32)
1-13. Carolina Pace – Furioso, Gigue und Aria for Recorder & Piano: II. Gigue I (02:41)
1-14. Carolina Pace – Furioso, Gigue und Aria for Recorder & Piano: III. Aria (02:51)
1-15. Carolina Pace – Furioso, Gigue und Aria for Recorder & Piano: IV. Gigue II (01:35)
1-16. Carolina Pace – Recorder Sonata “Im alten Stil”: I. Andante (01:47)
1-17. Carolina Pace – Recorder Sonata “Im alten Stil”: II. Allegro (01:29)
1-18. Carolina Pace – Recorder Sonata “Im alten Stil”: III. Largo affettuoso (03:06)
1-19. Carolina Pace – Recorder Sonata “Im alten Stil”: IV. Vivace (01:33)
1-20. Carolina Pace – Mobile for Recorder & Piano (Bewegungen um ein Thema) (08:38)

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Among the protagonists of the recorder revival, Hans Ulrich Staeps deserves pride of place. This album allows a full appreciation of Staeps’ multifaceted talent as a composer, of his stylistic flexibility and of his capability to write beautiful music for players of all levels. The pieces performed here include practically all of his published works for recorder and piano. His output for the recorder was created between 1951 and 1988; among the observable influences are certainly those of the French Impressionists and of his teacher Hindemith, though hints of the jazz idiom are also discernible.