Cappella Mediterranea, Leonardo García Alarcón – De vez en cuando la vida: Joan Manuel Serrat y el siglo de oro (2018) [FLAC 24 bit, 88,2 kHz]

Cappella Mediterranea, Leonardo García Alarcón - De vez en cuando la vida: Joan Manuel Serrat y el siglo de oro (2018) [FLAC 24 bit, 88,2 kHz] Download

Artist: Cappella Mediterranea, Leonardo García Alarcón
Album: De vez en cuando la vida: Joan Manuel Serrat y el siglo de oro
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:01:50
Total Tracks: 12
Total Size: 1,15 GB

Tracklist:

1-01. Mariana Flores – Romance de Curro “El Palmo” (Arranged by Quito Gato) (08:06)
1-02. Mariana Flores – Mediterráneo (Arranged by Quito Gato) (04:34)
1-03. Mariana Flores – De vez en cuando la vida (Arranged by Quito Gato) (03:49)
1-04. Valerio Contaldo – Esta vez, Cupidillo (03:06)
1-05. Cappella Mediterranea – Xácaras por primer tono (Arranged by Quito Gato) (02:26)
1-06. Maria Hinojosa – La canço dell ladre (Arranged by Quito Gato) (03:57)
1-07. Mariana Flores – Mortales que amáis (09:26)
1-08. Maria Hinojosa – Pare (Arranged by Quito Gato) (06:36)
1-09. Mariana Flores – La bomba (10:21)
1-10. Maria Hinojosa – La presó de Lleida (Arranged by Quito Gato) (05:00)
1-11. Cappella Mediterranea – Música callada (Transcription for Harp & Arrangement by Quito Gato) (01:27)
1-12. Mariana Flores – Aquellas pequeñas cosas (Arranged by Quito Gato) (02:57)

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Leonardo García Alarcón writes: “The memories of my childhood in Argentina always bring me back to the singer-songwriter Joan Manuel Serrat, synonymous with shared family moments… Serrat’s poetry and music around a barbecue in Argentina; “De vez en cuando la vida” made me cry as it has made millions of people cry in Latin America, Spain and elsewhere… Joan Manuel Serrat is part of our life, he is our Jacques Brel!… Or, if we project ourselves back to the sixteenth century, he is in a sense our little Camerata Fiorentina, that movement of Italian poets and musicians in Florence. Serrat has allowed the whole of Latin America and Spain to reappropriate the works of its poets… He has also been synonymous with freedom and the struggle against dictatorial regimes. His song “Mediterraneo” is one of the emblematic pieces of his career. It is almost a hymn that has special resonance nowadays… I asked my good friend Quito Gato to arrange these songs for our ensemble, Cappella Mediterranea. The orchestration retains typical seventeenth-century instruments: recorders, cornett, violins, viola da gamba, cellos, lutes, harp, harpsichord, organ, with some percussion and a double bass. These period instruments allow us to travel back in time and compare Serrat’s romances with the Ensaladas of Mateo Flecha (1481-1553), the polyphony of Guillaume Dufay, and a composition by Juan Cabanilles that recalls a Bach Passion. The Xacaras, a satirical genre from the Spanish Golden Age dialogues with Serrat’s works, as does the Música callada of the Catalan composer Frederic Mompou, transcribed here for the harp.”

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