Cantata Collective – Bach: St. John Passion, BWV 245 (2023) [FLAC 24 bit, 192 kHz]

Cantata Collective - Bach: St. John Passion, BWV 245 (2023) [FLAC 24 bit, 192 kHz] Download

Artist: Cantata Collective
Album: Bach: St. John Passion, BWV 245
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 192 kHz
Duration: 01:54:22
Total Tracks: 40
Total Size: 3,97 GB

Tracklist:

CD1
01. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 1, “Herr, unser Herrscher” (Chorus) (08:39)
02. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 2, “Jesus ging mit seinen Jüngern” (Evangelist, Jesus, Chorus) (02:25)
03. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 3, “O große Lieb” (Chorale) (00:53)
04. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 4, “Auf daß das Wort erfüllet würde….” (Evangelist, Jesus) (01:03)
05. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 5, “Dein Will gescheh!” (Chorale) (00:56)
06. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 6, “Die Schar aber und der Oberhauptman…” (Evangelist) (00:46)
07. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 7, “Von den Stricken” (Aria) (05:24)
08. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 8, “Simon Petrus aber folgete Jesus” (Evangelist) (00:13)
09. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 9, “Ich folge dir gleichfalls” (Aria) (04:10)
10. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 10, “Servus Der Selbige Jünger…” (Evangelist, Maid, Peter, Jesus, Attendant) (03:03)
11. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 11, “Wer hat dich so geschlagen” (Chorale) (01:46)
12. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 12, “Und Hannas sandte…” (Evangelist, Chorus) (02:07)
13. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 13, “Ach, mein Sinn” (Aria) (02:41)
14. Cantata Collective – St. John Passion, BWV 245, Part 1: No. 14, “Petrus, der nicht denkt zurück” (Chorale) (01:19)

CD2
01. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 15, “Christus, der uns selig macht” (Chorale) (01:07)
02. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 16, “Da führeten sie Jesum…” (Evangelist, Pilate, Chorus) (04:14)
03. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 17, “Ach großer König” (Chorale) (01:39)
04. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 18, “Da sprach Pilatus zu ihm” (Evangelist, Pilate, Jesus, Chorus) (02:02)
05. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 19, “Betrachte, meine Seel” (Arioso) (02:00)
06. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 20, “Erwäge, wie sein blutgefärbte Rücken” (Aria) (08:20)
07. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 21, “Und die Kriegsknechte…” (Evangelist, Chorus) (05:54)
08. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 22, “Durch dein Gefängis” (Chorale) (01:05)
09. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 23, “Die Jüden aber schrieen…” (Evangelist, Chorus) (04:17)
10. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 24, “Eilt, ihr angeofochtnen” (Aria) (03:56)
11. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 25, “Allda kreuzigten sie ihn…” (Evangelist, Chorus) (02:16)
12. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 26, “In meines Herzens Grunde” (Chorale) (01:05)
13. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 27, “Die Kriegsknechte aber…” (Evangelist, Chorus) (03:56)
14. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 28, “Er nahm alles wohl in acht” (Chorale) (01:15)
15. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 29, “Und von Stund an…” (Evangelist, Jesus) (01:20)
16. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 30, “Es ist vollbracht!” (Aria) (05:37)
17. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 31, “Und neiget das Haupt…” (Evangelist) (00:29)
18. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 32, “Mein teurer Heiland” (Aria, Chorale) (04:59)
19. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 33, “Und siehe da, der Vorhang…” (Evangelist) (00:25)
20. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 34, “Mein Herz, in dem die ganze Welt” (Arioso) (00:50)
21. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 35, “Zerfließe, mein Herze” (Aria) (06:34)
22. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 36, “Die Jüden aber…” (Evangelist) (02:06)
23. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 37, “O hilf, Christe, Gottes Sohn” (Chorale) (01:12)
24. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 38, “Darnach bat Pilatum…” (Evangelist) (02:11)
25. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 39, “Ruht wohl, ihr heiligem Gebeine” (Chorus) (07:56)
26. Cantata Collective – St. John Passion, BWV 245, Part 2: No. 40, “Ach Herre, Iaß dein lieb Engelein” (Chorale) (02:12)

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Cantata Collective, an ensemble “of San Francisco early music luminaries” (San Francisco Chronicle) inaugurates a major series of J. S. Bach’s choral works with a live recording of the composer’s St. John Passion. With celebrated conductor Nicholas McGegan, the toast of today’s new generation of vocal soloists and a three-to-a-part chamber choir, the Cantata Collective conveys the emotional intimacy and dramatic power of this monumental passion in a highly polished performance that led Early Music America to implore: “To the excellent musicians of Cantata Collective: More Bach Please!”The Cantata Collective choir on this recording of Bach’s St. John Passion, BWV 245, has three singers per part, probably a bit fewer than Bach would have considered ideal. The players are mostly veterans of the San Francisco Bay Area’s early music scene. Yet this is far from being a minimalistic, clipped historical instrument recording. The live sound engineering is marvelous, making the choir sound like a much larger group (there is no applause) and defining big spaces where the singers have room to define the text closely. McGegan’s recording is nearly ten minutes longer than average, but there is never a feeling that the music drags. Instead, the effect is meditative, giving a sermon-like feel. The soloists are not virtuosi, but they enter into the spirit of the performance beautifully. Sample the work of countertenor Aryeh Nussbaum in, for instance, “Von den Stricken” with its absorbing interplay with (and between) the oboe and oboe da caccia. The texts are sculpted out with absolute clarity, notwithstanding that there isn’t a native German speaker in the bunch, and no language coach is credited. This is a somewhat unorthodox St. John Passion, but for those wanting to approach the work anew and think it through, it may be just the ticket.
– James Manheim

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