Artist: Canada’s National Arts Centre Orchestra, Alexander Shelley
Album: The Bounds of our Dreams
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:34:25
Total Tracks: 8
Total Size: 1,57 GB

Tracklist:

1-1. Canada’s National Arts Centre Orchestra & Alexander Shelley – Pavane pour une infante defunte (06:13)
1-2. Alain Lefèvre, Canada’s National Arts Centre Orchestra & Alexander Shelley – Concerto de l’asile – I. Les oranges sont vertes (14:08)
1-3. Alain Lefèvre, Canada’s National Arts Centre Orchestra & Alexander Shelley – Concerto de l’asile – II. St-Jean-de-Dieu (08:11)
1-4. Alain Lefèvre, Canada’s National Arts Centre Orchestra & Alexander Shelley – Concerto de l’asile – III. La charge de l’orignal epormyable (21:46)
1-5. Canada’s National Arts Centre Orchestra & Alexander Shelley – Scheherazade, Op. 35 – I. The Sea And Sinbad’s Ship (Largo e maestoso – Lento – Allegro non troppo – Tranquillo) (09:16)
1-6. Canada’s National Arts Centre Orchestra & Alexander Shelley – Scheherazade, Op. 35 – II. The Story Of The Calender Prince (Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato) (12:31)
1-7. Canada’s National Arts Centre Orchestra & Alexander Shelley – Scheherazade, Op. 35 – III. The Young Prince And The Young Princess (Andantino quasi allegretto – Pochissimo piu mosso – Come prima – Pochissimo piu animato) (10:22)
1-8. Canada’s National Arts Centre Orchestra & Alexander Shelley – Scheherazade, Op. 35 – IV. Festival At Bagdad. The Sea. The Shipwreck Against A Rock Surmounted By A Bronze Warrior (The Shipwreck) [Allegro molto – Lento – Vivo – Allegro non troppo e maestoso] (11:55)

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Saluted by the international press, for his “phenomenal technique” (The Spectator), his “sovereign mastery” (Hamburger Abendblatt), his deep sensitivity and exhilarating personality, Alain Lefèvre is a pianist who “breaks the mold” (International PIANO, London), and most importantly, an artist who “truly stands out from the typical trends and artifices offered on the international scene” (Classica). Some of his interpretations were described as “unparalleled” (Westdeutsche Zeitung), and even unsurpassed “in memory” (Los Angeles Times).