Artist: Boris Giltburg
Album: Brahms: Quintets Opp. 34 & 111
Release Date: 2022
Audio Format:: FLAC (tracks) 24bit, 192 kHz
Total Tracks: 8
Total Size: 2,47 GB
1-1. Pavel Haas Quartet – Piano Quintet in F Minor, Op. 34: No. 1, Allegro non troppo (15:35)
1-2. Pavel Haas Quartet – Piano Quintet in F Minor, Op. 34: No. 2, Andante, un poco adagio (08:32)
1-3. Pavel Haas Quartet – Piano Quintet in F Minor, Op. 34: No. 3, Scherzo. Allegro – Trio (07:14)
1-4. Pavel Haas Quartet – Piano Quintet in F Minor, Op. 34: No. 4, Finale. Poco sestenuto – Allegro non troppo (10:31)
1-5. Pavel Haas Quartet – String Quintet No. 2 in G Major, Op. 111: No. 1, Allegro non troppo, ma con brio (13:14)
1-6. Pavel Haas Quartet – String Quintet No. 2 in G Major, Op. 111: No. 2, Adagio (06:09)
1-7. Pavel Haas Quartet – String Quintet No. 2 in G Major, Op. 111: No. 3, Un poco allegretto (05:29)
1-8. Pavel Haas Quartet – String Quintet No. 2 in G Major, Op. 111: No. 4, Vivace ma non troppo presto (04:57)
Their recording of the “American” Quartet and String Quartet No. 13, Op. 106, elevated the Pavel Haas Quartet among the finest performers of Antonín Dvořák’s music. This position was subsequently confirmed by a recording of the composer’s Quintets, made with the violist Pavel Nikl, a founding member of the ensemble, and the pianist Boris Giltburg, winner of the Queen Elisabeth Competition. The album received the most coveted classical music accolades (Gramophone Chamber Award, BBC Radio 3 Record Review Discs of the Year, Diapason d’Or, etc.).While recording the Dvořák’s Quintets, the logical idea of a Brahms album was born. And now it has come to fruition. Dvořák was encouraged by and ultimately attained global fame owing to the kind support and friendship of his older colleague Brahms, who in his twenties had been just as generously aided by Clara and Robert Schumann.
Brahms’ relationship with Clara is probably also behind the Piano Quintet in F minor, Op. 34. Originally conceived as a string quintet, in the spring of 1864 Brahms transformed it into a Sonata for Two Pianos, yet Clara voiced her doubts about this version’s sound too. The desired contrast and richness of colour was ultimately achieved by combining the strings and the piano. Clara Schumann performed the piano part at the private premiere of the quintet, which she referred to as having “symphonic” proportions. This aspect is clearly foregrounded on the present Pavel Haas Quartet recording.
Brahms allegedly intended the String Quintet in G major, Op. 111, to be his last piece of music. In this light, it may come across as a reflection of the music he had cherished during his life – from Beethoven, Schubert, the Viennese waltz, his contemporary Wagner, to his beloved Hungarian dance motifs.