Artist: Ariel Abramovich, Jacob Heringman
Album: Cifras Imaginarias: Música para Tañer a Dos Vihuelas
Genre: Classical
Release Date: 2017
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 53:21
Total Tracks: 18
Total Size: 988 MB

Tracklist:

1-01. Ariel Abramovich, Jacob Heringman – Illibata Dei Virgo nutrix (07:36)
1-02. Ariel Abramovich, Jacob Heringman – Ricercar 7 (02:18)
1-03. Ariel Abramovich, Jacob Heringman – Mor me a prive (Arr. by Francisco Fernández Palero) (02:44)
1-04. Ariel Abramovich, Jacob Heringman – Ricercar (02:12)
1-05. Ariel Abramovich, Jacob Heringman – Un gay bergier (03:04)
1-06. Ariel Abramovich, Jacob Heringman – Italia mia (03:35)
1-07. Ariel Abramovich, Jacob Heringman – Pavana italiana (03:21)
1-08. Ariel Abramovich, Jacob Heringman – Dulces exuviae (03:13)
1-09. Ariel Abramovich – Fantasia, Op. 82 (01:39)
1-10. Ariel Abramovich, Jacob Heringman – Passeavase el rey moro (01:00)
1-11. Ariel Abramovich, Jacob Heringman – Dont vient cela (Arr. by Antonio de Cabezón) (03:02)
1-12. Ariel Abramovich, Jacob Heringman – Ultimi miei sospiri (02:36)
1-13. Jacob Heringman – Fantasia, Op. 22 (01:55)
1-14. Ariel Abramovich, Jacob Heringman – Y con qué la lavaré (02:15)
1-15. Ariel Abramovich, Jacob Heringman – Dizen a mí que los amores he (02:29)
1-16. Ariel Abramovich, Jacob Heringman – De los álamos vengo, madre (01:56)
1-17. Ariel Abramovich, Jacob Heringman – Pater Noster (04:56)
1-18. Ariel Abramovich, Jacob Heringman – Ave Maria (03:21)

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Rinaldo Alessandrini is one of today’s most eminent Monteverdi authorities, and his highly acclaimed recordings with Concerto Italiano are now widely recognised as a reference point for music lovers all over the world. Recent achievements include the completion of Monteverdi’s trilogy of operas (directed by Robert Wilson) at La Scala in Milan and at the Opéra National de Paris, and a triumphal concert tour in Australia and New Zealand with the Vespro della Beata Vergine. To mark the 450th anniversary of Claudio Monteverdi’s birth, Arcana is proud to reissue the seminal recording of the Sixth Book of Madrigals performed by Concerto Italiano, which is also one of Arcana’s bestsellers. Rinaldo Alessandrini describes the Sixth Book as the book of separation: permanent in the case of death; temporary in the case of lovers at daybreak. It is the book of poignant expression which culminates in the cycles of lamenti, whose autobiographical character is well known: the successive deaths of Monteverdi’s wife (Claudia Cattaneo) and his favourite singer (Caterina Martinelli). Its density of expression, its ‘italianità’, not exempt from theatricality, by turns luminous and despairing, make it the place where interpretation is the fundamental element, capable of overwhelming our contemporaries.