Ariane Granjon, Laurent Cabasso – Schumann, Chant du Crépuscule (2023) [FLAC 24 bit, 96 kHz]

Ariane Granjon, Laurent Cabasso - Schumann, Chant du Crépuscule (2023) [FLAC 24 bit, 96 kHz] Download

Artist: Ariane Granjon, Laurent Cabasso
Album: Schumann, Chant du Crépuscule
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:16:48
Total Tracks: 13
Total Size: 1,35 GB

Tracklist:

01. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 2 in D Minor, Op. 121: I. Ziemlich langsam-Lebhaft (13:16)
02. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 2 in D Minor, Op. 121: II. Sehr Lebhaft (04:44)
03. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 2 in D Minor, Op. 121: III. Leise, einfach (05:32)
04. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 2 in D Minor, Op. 121: IV. Bewegt (07:10)
05. Ariane Granjon & Laurent Cabasso – Dietrich: F.A.E. Sonata, WoO22: I. Allegro (10:22)
06. Ariane Granjon & Laurent Cabasso – Brahms: F.A.E. Sonata, WoO22: III. Scherzo (05:24)
07. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 3 in A Minor, WoO 2: I. Ziemlich langsam – Lebhaft (07:18)
08. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 3 in A Minor, WoO 2: II. Scherzo, Lebhaft (03:44)
09. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 3 in A Minor, WoO 2: III. Intermezzo, Bewegt, doch nicht zu schnell (02:33)
10. Ariane Granjon & Laurent Cabasso – Schumann: Violin Sonata No. 3 in A Minor, WoO 2: IV. Finale, Markiertes, ziemlich lebhaftes Tempo (07:10)
11. Ariane Granjon & Laurent Cabasso – Schumann: 3 Romances, Op. 22: I. Andante molto (02:55)
12. Ariane Granjon & Laurent Cabasso – Schumann: 3 Romances, Op. 22: II. Allegretto: Mit zartem Vortrage (02:52)
13. Ariane Granjon & Laurent Cabasso – Schumann: 3 Romances, Op. 22: III. Leidenschaftlich schnell (03:41)

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Robert Schumann’s Sonatas for violin and piano have been a part of our repertoire for many years. The more intimately we get to know them, the more we realize how much they are the unfiltered reflection of a troubled personality, very human, at the mercy of his contradictions, joys and sorrows. This is what makes these works endearing but also, at times, disconcerting (especially so in the case of the 3rd Sonata).

In interpreting these wonderful, poignant works, played by Clara Schumann and Joseph Joachim for the first time in the autumn of 1853, we hope to transport you straight into the family home of this legendary couple, in Düsseldorf, in late October of that very year.

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