Artist: Anna Dennis, Sounds Baroque, Julian Perkins
Album: Sweeter Than Roses: Songs by Henry Purcell
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 01:07:31
Total Tracks: 24
Total Size: 1,07 GB
Tracklist:
1-01. Anna Dennis – Sweeter Than Roses, Z. 585/1 (03:34)
1-02. Anna Dennis – Cupid, the Slyest Rogue Alive, Z. 367 (02:39)
1-03. Anna Dennis – On the Brow of Richmond Hill, Z. 405 (01:40)
1-04. Anna Dennis – She Loves and She Confesses Too, Z. 413 (02:25)
1-05. Anna Dennis – No Reprieve (04:20)
1-06. Anna Dennis – A Lover’s Legacy (01:47)
1-07. Anna Dennis – Suite in C Major: I. Caprice de Chacone (02:50)
1-08. Anna Dennis – Suite in C Major: II. Gigue (01:06)
1-09. Anna Dennis – Suite in C Major: III. Menuet (00:45)
1-10. Anna Dennis – Suite in C Major: IV. Autre Chacone (01:35)
1-11. Anna Dennis – Urge Me No More, Z. 426 (03:47)
1-12. Anna Dennis – In the Black, Dismal Dungeon of Despair, Z. 190 (04:18)
1-13. Anna Dennis – Now That the Sun Hath Veil’d His Light (An Evening Hymn), Z. 193 (04:19)
1-14. Anna Dennis – Suite in E Minor: I. Prelude (00:46)
1-15. Anna Dennis – Suite in E Minor: II. Allmand (03:18)
1-16. Anna Dennis – Suite in E Minor: III. Corrant (01:54)
1-17. Anna Dennis – Suite in E Minor: IV. The Complaint (02:34)
1-18. Anna Dennis – Suite in E Minor: V. Aire (01:16)
1-19. Anna Dennis – Suite in E Minor: VI. Jigg (02:05)
1-20. Anna Dennis – Love Arms Himself in Celia’s Eyes, Z. 392 (03:05)
1-21. Anna Dennis – Celia’s Fond, Too Long I’ve Lov’d Her, Z. 364 (02:36)
1-22. Anna Dennis – I Came, I Saw and Was Undone (The Thraldom), Z. 375 (04:15)
1-23. Anna Dennis – Oh! Fair Cedaria, Hide Those Eyes, Z. 402 (04:13)
1-24. Anna Dennis – King Arthur, Z. 628: How Blest Are Shepherds (arr. for Chamber Ensemble) (06:14)
Download:
https://xubster.com/pqj4q74w3ng0/AnnaDennisS0undsBar0queJulianPerkinsSweeterThanR0sesS0ngsbyHenryPurcell20192496.part2.rar.html
Director and keyboardist Julian Perkins and his acclaimed ensemble Sounds Baroque join with soprano Anna Dennis to this celebration of the songs Henry Purcell. Kown for his undisputed mastery in setting the English language, Purcell also absorbed influences from both French and italian styles, and the programm is complemented with close contemporaries who also worked in Lodon – a guitar suite from italian Francesco Corbetta and a harpsichord suite from Giovanni Battista Draghi, along with two songs from the earlier Stuart court composr Henry Lawes.