Artist: Anita Rachvelishvili
Album: Anita
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 53:57
Total Tracks: 12
Total Size: 1,01 GB

Tracklist:

1-01. Anita Rachvelishvili – Carmen, WD 31: Act I: Près des ramparts de Seville (“Seguidilla”) (02:02)
1-02. Anita Rachvelishvili – Samson et Dalila, Op. 47, Act I: Printemps qui commence (05:37)
1-03. Anita Rachvelishvili – Il Trovatore, Act II: Condotta ell’era in ceppi 04:31 (04:31)
1-04. Anita Rachvelishvili – Don Carlo, Act II: Nei giardin del bello (Canzone del velo) (04:14)
1-05. Anita Rachvelishvili – Werther, Act III: Je vous écris de ma petite chambre (“Letter Aria”) (07:00)
1-06. Anita Rachvelishvili – The Legend of Shota Rustaveli: Cavatina of Queen Tamar (02:23)
1-07. Anita Rachvelishvili – Samson et Dalila, Op. 47, Act II: Mon coeur s’ouvre à ta voix (05:19)
1-08. Anita Rachvelishvili – The Tsar’s Bride, Act I: You Wil Pay (“Lyubasha’s Aria”) (04:24)
1-09. Anita Rachvelishvili – Carmen, WD 31: Act I: L’amour est un oiseau rebelle (“Habanera”) (04:14)
1-10. Anita Rachvelishvili – Cavalleria rusticana: Voi lo sapete, o mamma (03:01)
1-11. Anita Rachvelishvili – Sapho, Act III: O ma lyre immortelle (06:49)
1-12. Anita Rachvelishvili – Don Carlo, Act IV: O don fatale (04:16)

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It’s one of those fairy stories that the world of lyrical music likes to keep secret. Still an unknown and barely emerged from the La Scala Lyrical Academy, Georgian mezzo-soprano Anita Rachvelishvili was given the title role in Carmen by Baremboim, alongside Jonas Kaufman: an international career seemed to beckon for the young singer. And so here we will hear some of opera’s great tunes, including, of course, the hits from Carmen, but also the two great arias from Samson et Dalila by Saint-Saëns, a pair from Verdi, a touch of Mascagni, some Rimski – less-frequently performed, it is true – and a rarity from his compatriot Dimitri Arakishvili (1873-1953) whose style is solidly anchored in the Russia of his day, with several, probably regional, twists. Since 2009, she has sung Carmen’s role around three hundred times, and we can only hope that she never gets bogged down in it – and takes on Santuzza, Eboli, Dalil: in other words, the great characters of the dramatic mezzo repertoire.