![Anaïs Gaudemard - Anaïs Gaudemard: Solo - harmonia nova #6 (2019) [FLAC, 24bit, 88,2 kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/14/d6tbbteydgmab_600.jpg?ssl=1)
Artist: Anaïs Gaudemard
Album: Anaïs Gaudemard: Solo – harmonia nova #6
Genre: Classical
Release Date: 2019
Audio Format: FLAC (tracks) 24bit, 88,2 kHz
Duration: 58:40
Total Tracks: 10
Total Size: 823 MB
Tracklist:
1-01. Anaïs Gaudemard – Légende in F Minor, IHR. 10 (11:03)
1-02. Anaïs Gaudemard – Harpsichord Sonata in A Minor, K. 109 (transcribed for harp) (05:36)
1-03. Anaïs Gaudemard – Solo in G Major, Wq. 139: I. Adagio un poco (06:06)
1-04. Anaïs Gaudemard – Solo in G Major, Wq. 139: II. Allegro (04:11)
1-05. Anaïs Gaudemard – Solo in G Major, Wq. 139: III. Allegro (03:46)
1-06. Anaïs Gaudemard – Impromptu in D-Flat Major, Op. 86 (09:20)
1-07. Anaïs Gaudemard – Harp Sonata in G Major, IPH. 52: I. Mäßig schnell (05:04)
1-08. Anaïs Gaudemard – Harp Sonata in G Major, IPH. 52: II. Lebhaft (02:30)
1-09. Anaïs Gaudemard – Harp Sonata in G Major, IPH. 52: III. Lied: “Ihr Freunde, hänget” (L. H. Chr. Hölty). Sehr langsam (03:00)
1-10. Anaïs Gaudemard – Bamyan (07:59)
1-02. Anaïs Gaudemard – Harpsichord Sonata in A Minor, K. 109 (transcribed for harp) (05:36)
1-03. Anaïs Gaudemard – Solo in G Major, Wq. 139: I. Adagio un poco (06:06)
1-04. Anaïs Gaudemard – Solo in G Major, Wq. 139: II. Allegro (04:11)
1-05. Anaïs Gaudemard – Solo in G Major, Wq. 139: III. Allegro (03:46)
1-06. Anaïs Gaudemard – Impromptu in D-Flat Major, Op. 86 (09:20)
1-07. Anaïs Gaudemard – Harp Sonata in G Major, IPH. 52: I. Mäßig schnell (05:04)
1-08. Anaïs Gaudemard – Harp Sonata in G Major, IPH. 52: II. Lebhaft (02:30)
1-09. Anaïs Gaudemard – Harp Sonata in G Major, IPH. 52: III. Lied: “Ihr Freunde, hänget” (L. H. Chr. Hölty). Sehr langsam (03:00)
1-10. Anaïs Gaudemard – Bamyan (07:59)
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The Harmonia Nova series welcomes young artists singled out for their exceptional talents.
Anaïs Gaudemard, named ECHO Rising Star 2018-19, offers a fascinating journey through three centuries of development of the harp’s technique and sonority, from Domenico Scarlatti to Philippe Hersant.
She shows us the solo instrument from every angle; the aim of this gifted harpist is at once to care for a heritage and to reveal the musical, poetic and even humanistic intentions of the composers.