Alison Moyet – Other (2017) [FLAC, 24bit, 44,1 kHz]

Alison Moyet - Other (2017) [FLAC, 24bit, 44,1 kHz] Download

Artist: Alison Moyet
Album: Other
Genre: Pop
Release Date: 2017
Audio Format: FLAC (tracks) 24bit, 44,1 kHz
Duration: 41:12
Total Tracks: 10
Total Size: 452 MB

Tracklist:

1-1. Alison Moyet – I Germinate (03:38)
1-2. Alison Moyet – Lover, Go (04:03)
1-3. Alison Moyet – The English U (05:02)
1-4. Alison Moyet – The Rarest Birds (04:37)
1-5. Alison Moyet – Beautiful Gun (03:10)
1-6. Alison Moyet – Reassuring Pinches (04:01)
1-7. Alison Moyet – April 10th (04:42)
1-8. Alison Moyet – Other (03:31)
1-9. Alison Moyet – Happy Giddy (03:16)
1-10. Alison Moyet – Alive (05:07)

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‘Other’ – the brand new album by pop legend and relentless explorer Alison Moyet. ‘Other’ finds Alison at the top of her game – making exactly the music she wants to at this moment in time. This is intelligent, adventurous electronic pop that’s defined by Sigsworth’s signature soundscapes. Alison’s voice and songwriting are both intense, poetic, and thought provoking. Following the huge critical and national chart success of Alison’s last album ‘The Minutes’,’Other’ found Alison working again with producer and song writing collaborator Guy Sigsworth.
Having referred in press surrounding its release to the “invisibility” that comes with being a middle-aged woman, Alison Moyet’s ninth studio album, Other, finds the vocal powerhouse taking on the role of astute observer. It was produced by Guy Sigsworth, who also produced 2013’s The Minutes, a recording that returned Moyet to an electronic palette and resulted in her highest-charting record in the U.K. since the ’80s. Other shares that album’s dramatic, orchestral-electronic flare, but with actual acoustic instrumentation and a sometimes frostier, more intense tone. She sounds confident here, though, not detached, and seems to embrace the act of transformation when declaring “I’m here/I germinate” in the chorus of the opening track. Later, “The English U” incorporates rousing strings, harp, and wordplay, with Moyet delivering lines like “You kept beautiful words in self-carbon pages/As beautiful worlds went missing in stages.” Her vocals are as solid as ever throughout, but her most attention-grabbing performance may be “April 10.” It’s a dramatic poem reading over intermittent whirring electronics, snare, and throbbing bass. (“I wonder if you have ever touched me in some other sea/Against my yesterday skin…”) Speaking of bass, the album also offers the club-friendly “Happy Giddy” and the more rock-minded “Beautiful Gun.” Still, even the more tender title track, a piano ballad with particularly artful phrasing, is self-assured, asserting “I don’t want another rock to hang about my neck.” Taken all together, it’s a formidable, empowering set, one that’s taking charge of the present and not interested in rehashing the past.
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