Alexandros Stavrakakis – Shostakovich: Works Unveiled (2023) [FLAC, 24 bit, 96 kHz]

Alexandros Stavrakakis - Shostakovich: Works Unveiled (2023) [FLAC, 24 bit, 96 kHz] Download

Artist: Alexandros Stavrakakis
Album: Shostakovich: Works Unveiled
Genre: Classical
Release Date: 2023
Audio Format: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:16:07
Total Tracks: 17
Total Size: 1,09 GB

Tracklist:

1-1. Alexandros Stavrakakis – I. De profundis (05:39)
1-2. Ekaterina Bakanova – II. Malagueña (03:00)
1-3. Ekaterina Bakanova – III. Loreley (09:47)
1-4. Ekaterina Bakanova – IV. Le suicidé (07:14)
1-5. Ekaterina Bakanova – V. Les attentives I (03:10)
1-6. Ekaterina Bakanova – VI. Les attentives II (01:58)
1-7. Alexandros Stavrakakis – VII. À la Santé (10:17)
1-8. Alexandros Stavrakakis – VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople (01:53)
1-9. Alexandros Stavrakakis – IX. O, Del’vig, Del’vig! (05:08)
1-10. Ekaterina Bakanova – X. Der Tod des Dichters (05:42)
1-11. Ekaterina Bakanova – XI. Schlußstück (01:29)
1-12. Nicolas Stavy – Violin Sonata (Unfinished) (04:56)
1-13. Nicolas Stavy – Funeral March in Memory of Victims of the Revolution for Solo Piano (01:22)
1-14. Nicolas Stavy – Toska (02:28)
1-15. Nicolas Stavy – In the Forest (02:04)
1-16. Nicolas Stavy – Bagatelle for Solo Piano (01:31)
1-17. Nicolas Stavy – Fragment from Gustav Mahler’s Symphony No. 10 for Piano 4-Hands (08:22)

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This release is the fruit of the French pianist Nicolas Stavy’s efforts to uncover unknown works by Dmitri Shostakovich. Spanning some fifty years of the composer’s career, these rarities include early piano pieces influenced by Chopin and the fragment of an unfinished violin sonata, but is bookended by arrangements of symphonic music, by Shostakovich himself and by Mahler, a constant influence.
The disc opens with the most substantial work on the disc, Shostakovich’s arrangement of his late, great Fourteenth Symphony (1969) for soprano, bass, string orchestra and percussion. With texts by poets including Guillaume Apollinaire, Federico García Lorca and Rainer Maria Rilke, the work evokes death, reaching great emotional depths. Rather than ‘just’ making a piano transcription for rehearsal purposes, Shostakovich included a percussion part as well as one for celesta, in order to reproduce sounds that would be impossible to imitate on the piano alone.

This is followed by the substantial fragment of a sonata for violin and piano dated 1945 and four short piano pieces composed around 1917-1919, which reveal a very young composer and demonstrate his surprising individuality and maturity. The final work on the disc is an arrangement of the opening 95 bars of Gustav Mahler’s Tenth Symphony which Shostakovich probably made during the 1920s for personal study purposes and to demonstrate the work to his fellow members in one of Leningrad’s two Mahler Societies. In Shostakovich’s transcription for piano four hands, Stavy is joined by Cédric Tiberghien.

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