Artist: Alexander von Heißen
Album: Beat Bach: A Cancelled Clavier Competition
Genre: Classical
Release Date: 2022
Audio Format: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:05:36
Total Tracks: 17
Total Size: 1,53 GB
Tracklist:
1-2. Alexander von Heißen – II. Allemande (09:50)
1-3. Alexander von Heißen – III. Courante (03:41)
1-4. Alexander von Heißen – IV. Aria (02:06)
1-5. Alexander von Heißen – V. Sarabande (05:21)
1-6. Alexander von Heißen – VI. Menuett (01:16)
1-7. Alexander von Heißen – VII. Gigue (04:48)
1-8. Alexander von Heißen – I. Prélude (02:40)
1-9. Alexander von Heißen – II. Allemande (03:24)
1-10. Alexander von Heißen – III. Courante I (01:36)
1-11. Alexander von Heißen – IV. Courante II (02:16)
1-12. Alexander von Heißen – V. Sarabande (03:30)
1-13. Alexander von Heißen – VI. Gigue (02:31)
1-14. Alexander von Heißen – VII. Chaconne (03:05)
1-15. Alexander von Heißen – VIII. Gavotte (01:17)
1-16. Alexander von Heißen – IX. Menuet (01:03)
1-17. Alexander von Heißen – V. Chaconne (Transcr. A.V. Heißen for Harpsichord) (11:02)
Download Links:
https://xubster.com/1evtcr4l2b58/Alexanderv0nHeienBeatBachACancelledClavierC0mpetiti0n20222496.part2.rar.html
It is well documented that Marchand spent time in Dresden in 1717. Everything beyond this is open to doubt. The many reports of the contest nevertheless offer the opportunity of comparing the keyboard prowess of the two protagonists by means of two instrumental suites, reflecting the supposed competition.
In this very interesting programme, Alexander von Heißen (born 1995 ; first lessons with Diez Eichler at Dr. Hoch’s Konservarorium in Frankfurt ; several masterclasses with Pierre Hantaï, Skip Sempé, Christophe Rousset and Jesper Christensen) has chosen two masterworks of these two wirtuosos from the 18th century, a great suites of pieces in D Minor from Louis Marchand’s First Book, and the incredible Bach’s Fourth Partita BWV 828. Who will be your favorite?