Artist: Alessandro Simonetto
Album: Yann Tiersen: Amélie & Other Piano Works
Genre: Classical
Release Date: 2018
Audio Format: FLAC (tracks) 24bit, 88,2 kHz
Duration: 01:07:24
Total Tracks: 25
Total Size: 989 MB
Tracklist:
1-02. Alessandro Simonetto – Rue de cascades: Naomi (03:22)
1-03. Alessandro Simonetto – Rue de cascades: Le vieux en veut encore (01:31)
1-04. Alessandro Simonetto – Rue de cascades: Comptine d’été I (02:56)
1-05. Alessandro Simonetto – Rue de cascades: Comptine d’été II (02:18)
1-06. Alessandro Simonetto – Rue de cascades: Comptine d’été III (02:04)
1-07. Alessandro Simonetto – La phare: Sur le fil (04:25)
1-08. Alessandro Simonetto – La phare: La dispute (01:50)
1-09. Alessandro Simonetto – La phare: La chute (05:47)
1-10. Alessandro Simonetto – L’absente: Le retour (02:00)
1-11. Alessandro Simonetto – L’absente: L’échec (01:36)
1-12. Alessandro Simonetto – L’absente: L’absente (02:55)
1-13. Alessandro Simonetto – Amelie: La valse d’Amélie (02:47)
1-14. Alessandro Simonetto – Amelie: Le moulin (03:05)
1-15. Alessandro Simonetto – Amelie: Comptine d’un autre été. L’après-midi (02:02)
1-16. Alessandro Simonetto – Goodbye Lenin: Summer 78 (02:59)
1-17. Alessandro Simonetto – Goodbye Lenin: I Saw Daddy Today (03:10)
1-18. Alessandro Simonetto – Goodbye Lenin: First Rendez-vous (01:24)
1-19. Alessandro Simonetto – Les retrouvailles: La plage (02:35)
1-20. Alessandro Simonetto – Les retrouvailles: Mary (02:48)
1-21. Alessandro Simonetto – Les retrouvailles: Plus d’hiver (01:21)
1-22. Alessandro Simonetto – Les retrouvailles: Le matin (01:44)
1-23. Alessandro Simonetto – Les retrouvailles: La jetée (02:04)
1-24. Alessandro Simonetto – Eusa: Lok Gweltaz (03:07)
1-25. Alessandro Simonetto – Eusa: Porz Goret (04:58)
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Described by Eric James (music associate of Sir Charles S. Chaplin) as “a tremendous natural talent,” Alessandro Simonetto gives a soft touch and poetical sense to the music. Similar assessments were expressed about his latest recording [Satie, E.: Early & Esoteric Works – ÆVEA AE16019/3 CD’s]. But in this new recording we also find a particular rhythmic approach not only to what we identify as minimalistic music or purely “film music,” but also rock and avant-garde.
In addition to this extraordinary contribution to the genre, Simonetto is scheduled to record the extensive soundtracks for “Goodbye Lenin!” and “EUSA” soon.
The recording was made by using historical Brüel & Kjær microphones, 110 volts, and Prism Sound equipment. Simonetto plays here his own Steinway D-274.