Artist: Aisslinn Nosky
Album: Mozart Violin Concertos, Vol. I (Live)
Genre: Classical
Release Date: 2021
Audio Format: FLAC (tracks) 24bit, 96 kHz
Duration: 01:12:39
Total Tracks: 9
Total Size: 1,39 GB
Tracklist:
2. Aisslinn Nosky – Violin Concerto No. 3 in G Major, K. 216: II. Adagio (07:34)
3. Aisslinn Nosky – Violin Concerto No. 3 in G Major, K. 216: III. Rondeau – Allegro (06:27)
4. Aisslinn Nosky – Violin Concerto No. 4 in D Major, K. 218: I. Allegro (08:00)
5. Aisslinn Nosky – Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile (06:19)
6. Aisslinn Nosky – Violin Concerto No. 4 in D Major, K. 218: III. Rondeau – Andante grazioso (06:50)
7. Aisslinn Nosky – Sinfonia Concertante in E-Flat Major for Violin and Viola, K. 364: I. Allegro maestoso (12:52)
8. Aisslinn Nosky – Sinfonia Concertante in E-Flat Major for Violin and Viola, K. 364: II. Andante (09:06)
9. Aisslinn Nosky – Sinfonia Concertante in E-Flat Major for Violin and Viola, K. 364: Presto (05:55)
Download Links:
https://xubster.com/pspg7z6mouhw/AisslinnN0skyM0zartVi0linC0ncert0sV0l.ILive20212496.part2.rar.html
Live-recorded at Boston Symphony Hall, this programme presenting the third and fourth concertos alongside the Sinfonia Concertante is absolutely cracking. First to hit your ears is the combination of softly polished tone, crisp articulation and joyousness coming from the ensemble, further warmed by the hall’s own glowing acoustic. Next comes the fluid elegance, personal warmth and droll humour from Nosky; in fact listen in closely and you’ll hear her witty inflections being enjoyed by the audience too. Then there’s the scoring details they’re making you hear with fresh ears, such as the flutes dreamily floating their way over the top of the strings at the start of No. 3’s Adagio.
As for the Sinfonia Concertante, it’s not just the feeling of a genuinely sparkling conversation going on between Nosky and Orchestra of the Age of Enlightenment co-principal Max Mandel that has you reaching for the repeat button (although listen to the way they’re bouncing off each other in the first movement’s answering phases, and their deliciously cheeky joint glissandi). It’s also the sheer degree of instinctive fluid flow and life to it all, to the extent that I’m not sure whether I’ve ever previously heard such a gloriously freewheeling, borderline-wild final movement.
If this is a taster of what’s to come, then Volume 2 can’t arrive soon enough. – Charlotte Gardner