Agnieszka Kopacka, Sinfonia Varsovia, Ian Hobson – Stöhr: Orchestral Music, Vol. 1 (2022) [FLAC, 24bit, 44,1 kHz]

Agnieszka Kopacka, Sinfonia Varsovia, Ian Hobson - Stöhr: Orchestral Music, Vol. 1 (2022) [FLAC, 24bit, 44,1 kHz] Download

Artist: Agnieszka Kopacka, Sinfonia Varsovia, Ian Hobson
Album: Stöhr: Orchestral Music, Vol. 1
Genre: Classical
Release Date: 2022
Audio Format: FLAC (tracks) 24bit, 44,1 kHz
Duration: 01:09:08
Total Tracks: 9
Total Size: 654 MB

Tracklist:

01. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Concerto im alten Stil, Op. 68: I. Intrata (09:58)
02. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Concerto im alten Stil, Op. 68: II. Sarabande & Scherzo (13:04)
03. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Concerto im alten Stil, Op. 68: III. Burleske & Aria (11:48)
04. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Concerto im alten Stil, Op. 68: IV. Introduction & Finale (11:37)
05. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Suite No. 2 in A Minor for String Orchestra, Op. 120: I. Andante maestoso (04:52)
06. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Suite No. 2 in A Minor for String Orchestra, Op. 120: II. Molto vivace (03:25)
07. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Suite No. 2 in A Minor for String Orchestra, Op. 120: III. Adagio con espressione (06:32)
08. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Suite No. 2 in A Minor for String Orchestra, Op. 120: IV. Allegro leggiero e scherzando (02:54)
09. Agnieszka Kopacka, Sinfonia Varsovia & Ian Hobson – Stöhr: Suite No. 2 in A Minor for String Orchestra, Op. 120: V. Introduction & Finale (04:54)

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These two works for string orchestra were composed on either side of the flight of the Viennese composer Richard Stöhr (1874–1967) from occupied Austria to the USA, and from prominence and danger to liberty and obscurity, and they reflect the change in his circumstances: the Concerto in the Old Style is expansive, witty, energetic and endlessly good-natured, whereas the Second Suite is introspective, understated and deeply felt. These first recordings allow the discovery of two major additions to the repertoire for strings; the Second Suite is also one of the last grand statements of late Romanticism.
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