Aaron Pilsan – Bach: The Well-Tempered Clavier, Book I, BWV 846-869 (2021) [FLAC, 24bit, 48 kHz]

Aaron Pilsan - Bach: The Well-Tempered Clavier, Book I, BWV 846-869 (2021) [FLAC, 24bit, 48 kHz] Download

Artist: Aaron Pilsan
Album: Bach: The Well-Tempered Clavier, Book I, BWV 846-869
Genre: Classical
Release Date: 2021
Audio Format: FLAC (tracks) 24bit, 48 kHz
Duration: 01:46:56
Total Tracks: 48
Total Size: 936 MB

Tracklist:

01. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude I in C Major, BWV 846 (02:00)
02. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue I in C Major, BWV 846 (02:00)
03. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude II in C Minor, BWV 847 (01:31)
04. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue II in C Minor, BWV 847 (01:39)
05. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude III in C-Sharp Major, BWV 848 (01:15)
06. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue III in C-Sharp Major, BWV 848 (02:19)
07. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude IV in C-Sharp Minor, BWV 849 (02:31)
08. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue IV in C-Sharp Minor, BWV 849 (04:07)
09. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude V in D Major, BWV 850 (01:15)
10. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue V in D Major, BWV 850 (01:40)
11. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude VI in D Minor, BWV 851 (01:47)
12. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue VI in D Minor, BWV 851 (02:15)
13. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude VII in E-Flat Major, BWV 852 (03:37)
14. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue VII in E-Flat Major, BWV 852 (01:29)
15. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude VIII in E-Flat Minor, BWV 853 (03:06)
16. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue VIII in D-Sharp Minor, BWV 853 (04:31)
17. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude IX in E Major, BWV 854 (01:16)
18. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue IX in E Major, BWV 854 (01:03)
19. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude X in E Minor, BWV 855 (02:01)
20. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue X in E Minor, BWV 855 (01:10)
21. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XI in F Major, BWV 856 (00:58)
22. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XI in F Major, BWV 856 (01:16)
23. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XII in F Minor, BWV 857 (02:09)
24. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XII in F Minor, BWV 857 (04:29)
25. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XIII in F-Sharp Major, BWV 858 (01:30)
26. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XIII in F-Sharp Major, BWV 858 (01:47)
27. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XIV in F-Sharp Minor, BWV 859 (00:56)
28. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XIV in F-Sharp Minor, BWV 859 (03:04)
29. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XV in G Major, BWV 860 (00:49)
30. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XV in G Major, BWV 860 (03:05)
31. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XVI in G Minor, BWV 861 (02:08)
32. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XVI in G Minor, BWV 861 (01:28)
33. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XVII in A-Flat Major, BWV 862 (01:13)
34. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XVII in A-Flat Major, BWV 862 (02:31)
35. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XVIII in G-Sharp Minor, BWV 863 (01:36)
36. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XVIII in G-Sharp Minor, BWV 863 (02:08)
37. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XIX in A Major, BWV 864 (01:12)
38. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XIX in A Major, BWV 864 (02:15)
39. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XX in A Minor, BWV 865 (01:03)
40. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XX in A Minor, BWV 865 (04:13)
41. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XXI in B-Flat Major, BWV 866 (01:17)
42. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XXI in B-Flat Major, BWV 866 (01:52)
43. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XXII in B-Flat Minor, BWV 867 (02:55)
44. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XXII in B-Flat Minor, BWV 867 (03:01)
45. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XXIII in B Major, BWV 868 (00:53)
46. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XXIII in B Major, BWV 868 (02:18)
47. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Prelude XXIV in B Minor, BWV 869 (04:40)
48. Aaron Pilsan – Bach: The Well-Tempered Clavier, Book 1: Fugue XXIV in B Minor, BWV 869 (07:18)

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Aaron Pilsan is only twenty-five years old, but he already has a busy career to his credit, with a solo album devoted to Beethovenand Schubert – very well received by the critics – and another of duo repertory with the cellist Kian Soltani. A student of Lars Vogt, he has also received guidance from András Schiff – Bach has always been at the centre of their work together. The young Austrian pianist has been fascinated since childhood by The Well-Tempered Clavier, “that musical journey on which Bach embarks with us in Book One: from the seemingly simple and joyful triad of the famous Prelude in C major to the final fugue, of a complexity almost worthy of Schoenberg, on a subject that already includes the twelve semitones of the chromatic scale… Ever since I became interested in Bach’s music, I have never ceased to ask myself how to make the modern grand piano – which has a rich fundamental sound but a reduced volume of harmonics compared to the harpsichord – produce an essentially “well-tempered” impression on the listener… But for me it was not a question of instrumental history, but of interpretation”.

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