Artist: Utada Hikaru
Album: Fantôme
Genre: J-Pop
Release Date: 2016
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 49:48
Total Tracks: 11
Total Size: 1,12 GB
Tracklist:
1. Utada Hikaru – Michi (03:36)
2. Utada Hikaru – Ore No Kanojo (05:04)
3. Utada Hikaru – Hanataba Wo Kimini (04:38)
4. Utada Hikaru – Nijikan Dake No Vacance (04:42)
5. Utada Hikaru – Ningyo (04:16)
6. Utada Hikaru – Tomodachi (04:22)
7. Utada Hikaru – Manatsu No Tooriame (05:38)
8. Utada Hikaru – Kouya No Ookami (04:34)
9. Utada Hikaru – Boukyaku (05:05)
10. Utada Hikaru – Jinsei Saikou No Hi (03:10)
11. Utada Hikaru – Sakura Nagashi (04:40)
Download:
https://xubster.com/5pjyn32u4rxj/UtadaHikaruFant0me2016Ac0usicS0unds2496.part2.rar.html
With Fantôme, J-pop megastar Hikaru Utada releases her first album in six years. The best-selling Japanese artist of all time, Utada spent her hiatus travelling and prioritizing her personal life, which included dealing with her mother’s suicide, getting married and having a baby. The title Fantôme is a reference to her mother’s presence and influence on these songs, sung by Utada in Japanese.Fantôme is the sixth Japanese studio album by Japanese–American recording artist, Utada Hikaru. Although Utada announced an indefinite hiatus from the public eye in August 2010, she continued writing and composing material with the help of her father, Utada Teruzane, and long-term collaborator, Miyake Akira. Musically, Fantôme is a collection of tracks that emphasize acoustic and stripped-down instrumentation, alongside influences of pop, electronic, and R&B music. The lyrical content delves into themes of grief, sadness, love, and death, mostly influenced by the death of her mother, singer Keiko Fuji, her second marriage, and the birth of her son in 2015.
Commercially, Fantôme experienced success in Japan, winning Album Of The Year at the Japan Record Awards and reaching the top of the Weekly Oricon Albums Chart with sales of 253,000 units, becoming her eighth consecutive Japanese-language album to top the said chart. Successful throughout digital outlets, the record also managed to enter record charts in the United States, her first Japanese release to do so.