Artist: Orchester Wiener Akademie, Martin Haselböck
Album: Beethoven: Symphonies 5 & 6 (Resound Collection, Vol.8)
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:20:14
Total Tracks: 9
Total Size: 1,41 GB

Tracklist:

01. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio (07:22)
02. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 5 in C Minor, Op. 67: II. Andante con moto (08:27)
03. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro – Trio (08:17)
04. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 5 in C Minor, Op. 67: IV. Allegro (11:13)
05. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Erwachen heiterer empfindungen bei der Anfukt auf dem Lande. Allegro ma non troppo (11:50)
06. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 6 in F Major, Op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto (12:46)
07. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 6 in F Major, Op. 68 “Pastoral”: III. Lustiges zusammensein der Landleute. Allegro (05:30)
08. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 6 in F Major, Op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro (04:04)
09. Orchester Wiener Akademie & Martin Haselböck – Symphony No. 6 in F Major, Op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare gefühle nach dem Sturm. Allegretto (10:41)

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The Orchester Wiener Akademie and its conductor Martin Haselböck continue the “Resound Beethoven” series, performed on period instruments and scrupulously respecting the orchestral layouts of 200 years ago. Volume 8, the last volume of the series, is devoted to two emblematic works, both of them dedicated jointly to Prince Franz Joseph Maximilian Lobkowitz and Count Andreas Kirillovich Razumovsky: Symphonies Nos. 5 and 6. Each of these symphonies has a name attached to it. While the Fifth Symphony is sometimes called the ‘Fate’ Symphony for more or less determined reasons, Beethoven himself named ‘Pastoral’ the Sixth, thus pursuing the venerable tradition of the musical pastorale while conferring a new dimension on it.The Orchester Wiener Akademie recorded these two works in the Landhaus Saal of the Niederösterreich Palais, Beethoven’s favourite concert venue. Between 1819 and 1827, all his nine symphonies were performed there at the ‘Concerts spirituels’ founded by Franz Gebauer, and it was in this same palace that the Austrian Revolution of 1848 began.