Artist: Tessa Uys, Ben Schoeman
Album: Beethoven Symphonies, Vol. 1
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:08:26
Total Tracks: 10
Total Size: 969 MB

Tracklist:

01. Tessa Uys & Ben Schoeman – Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” (Arr. F.X. Scharwenka for Piano 4 Hands): I. Allegro con brio (18:28)
02. Tessa Uys & Ben Schoeman – Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” (Arr. F.X. Scharwenka for Piano 4 Hands): II. Marcia funebre. Adagio assai (15:10)
03. Tessa Uys & Ben Schoeman – Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” (Arr. F.X. Scharwenka for Piano 4 Hands): III. Scherzo. Allegro vivace (05:34)
04. Tessa Uys & Ben Schoeman – Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” (Arr. F.X. Scharwenka for Piano 4 Hands): IV. Finale. Allegro molto (12:45)
05. Tessa Uys & Ben Schoeman – Schumann: 6 Studies in Canonic Form, Op. 56 (Arr. C. Debussy for 2 Pianos): No. 1 in C Major, Nicht zu schnell (01:58)
06. Tessa Uys & Ben Schoeman – Schumann: 6 Studies in Canonic Form, Op. 56 (Arr. C. Debussy for 2 Pianos): No. 2 in A Minor, Mit innigem Ausdruck (03:25)
07. Tessa Uys & Ben Schoeman – Schumann: 6 Studies in Canonic Form, Op. 56 (Arr. C. Debussy for 2 Pianos): No. 3 in E Major, Andantino (01:44)
08. Tessa Uys & Ben Schoeman – Schumann: 6 Studies in Canonic Form, Op. 56 (Arr. C. Debussy for 2 Pianos): No. 4 in A-Flat Major, Innig (03:08)
09. Tessa Uys & Ben Schoeman – Schumann: 6 Studies in Canonic Form, Op. 56 (Arr. C. Debussy for 2 Pianos): No. 5 in B Minor, Nicht zu schnell (02:14)
10. Tessa Uys & Ben Schoeman – Schumann: 6 Studies in Canonic Form, Op. 56 (Arr. C. Debussy for 2 Pianos): No. 6 in B Major, Adagio (03:55)

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SOMM Recordings announces the launch of a major six-volume series of Franz Xaver Scharwenka’s transcriptions of Beethoven Symphonies featuring the label debut of the Tessa Uys and Ben Schoeman Piano Duo. Formed in 2010, the Duo began their in-concert exploration of Scharwenka’s four-hand Beethoven transcriptions in 2015 and now bring that experience to disc for the first time. Volume 1 includes the premiere recording of Scharwenka’s piano duet transcription of Symphony No.3, the ever-popular Eroica, and Debussy’s two-piano arrangement of Robert Schumann’s Six Studies in Canonic Form.Formed in 2010, the Duo began their in-concert exploration of Scharwenka’s four-hand Beethoven transcriptions in 2015 and now bring that experience to recording for the first time. Volume 1 includes the premiere recording of Scharwenka’s piano duet transcription of Symphony No. 3, the ever-popular “Eroica”, and Debussy’s two-piano arrangement of Robert Schumann’s Six Studies in Canonic Form.

As Robert Matthew-Walker’s booklet notes reveal, Scharwenka had a direct line to Beethoven, having been taught by Franz Kullak, who was tutored by Carl Czerny whose own teacher, in turn, had been Beethoven himself. A composer of no mean stature in his own right, Scharwenka’s transcriptions were once widely admired, making masterpiece symphonies available to every home with a piano. Possessing, says Matthew-Walker, “significant qualities which are often overlooked today”, his “Eroica” transcription receives ardent, eloquently persuasive championing by Schoeman and Uys.

Scharwenka wasn’t alone in exploiting new developments in piano technology. Robert Schumann’s Six Studies in Canonic Form made use of the then novel “pedal-piano” (a standard piano with an additional bass pedal-board) even as he was looking back stylistically towards his idol, Bach. Debussy’s arrangement for two pianos adroitly accommodates Schumann’s original to “rescue this fine music from the obscurity of the pedal-piano repertoire”.
Born in Cape Town and a Royal Academy of Music Associate, Tessa Uys has an impressive reputation as a concert and broadcasting performer, appearing at major venues throughout the world. Her multi-prize-winning South African compatriot Ben Schoeman also has a busy international profile and is currently a senior lecturer in piano and musicology at the University of Pretoria.