Artist: Bernard Foccroulle
Album: Böhm: Orgelwerke
Genre: Classical
Release Date: 2011
Audio Format:: FLAC (tracks) 24bit, 44,1 KHz
Duration: 01:10:02
Total Tracks: 18
Total Size: 657 MB

Tracklist:

01. Bernard Foccroulle – Praeludium (und Fugue) in C (05:07)
02. Bernard Foccroulle – Vom Himmel hoch da komm ich her (02:19)
03. Bernard Foccroulle – Nun bitten wir den heiligen Geist (03:31)
04. Bernard Foccroulle – Christe, der du bist Tag und Licht: I. Versus 1 (01:46)
05. Bernard Foccroulle – Christe, der du bist Tag und Licht: II. Versus 2 (05:18)
06. Bernard Foccroulle – Christe, der du bist Tag und Licht: III. Versus 3 (02:00)
07. Bernard Foccroulle – Praeludium (und Fugue) in A (03:22)
08. Bernard Foccroulle – Wer nur den lieben Gott lässt walten (07:32)
09. Bernard Foccroulle – Christ lag in Todesbanden (à 2 claviers et pédalier) (04:14)
10. Bernard Foccroulle – Christ lag in Todesbanden (à 1 clavier et pédalier) (05:18)
11. Bernard Foccroulle – Auf meinen lieben Gott: I. Versus 1 (02:57)
12. Bernard Foccroulle – Auf meinen lieben Gott: II. Versus 2 (03:37)
13. Bernard Foccroulle – Auf meinen lieben Gott: III. Versus 3 (01:42)
14. Bernard Foccroulle – Auf meinen lieben Gott: IV. Versus 4 (02:22)
15. Bernard Foccroulle – Vater unser im Himmelreich: I. Versus 1 (03:06)
16. Bernard Foccroulle – Vater unser im Himmelreich: II. Versus 2 (04:30)
17. Bernard Foccroulle – Vater unser im Himmelreich (06:05)
18. Bernard Foccroulle – Praeludium (und Fugue) in D (05:08)

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Bernard Foccroulle here continues his exploration of the north German organist composers with a recording of the works of Georg Böhm, a composer with whom J.S. Bach had come into contact at the end of his adolescence. At the foot of a manuscript dated around 1700 in which he had copied out pieces by Buxtehude, Reinken and Pachelbel that served as models for his own compositions, the young Johannes Sebastian Bach wrote that he was a pupil of Georg Böhm in Lüneburg. The organ works of this north German master foreshadow the young J.S. Bach’s first compositions in many respects; it was also clearly thanks to Böhm that Bach came into contact with the various genres of French music of the period. The Schnitger organ of the Grote Kerk in Alkmaar lends itself particularly well to this repertoire thanks to the power and the quality of its solo registers.