Artist: Salvatore Accardo, Laura Manzini
Album: Debussy, Ravel – Music for Violin and Piano
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:11:58
Total Tracks: 14
Total Size: 1,29 GB

Tracklist:

1. Salvatore Accardo, Laura Manzini – Violin Sonata, L. 140: I. Allegro vivo (05:15)
2. Salvatore Accardo, Laura Manzini – Violin Sonata, L. 140: II. Intermède. Fantasque et léger (04:38)
3. Salvatore Accardo, Laura Manzini – Violin Sonata, L. 140: III. Finale. Très animé (04:35)
4. Salvatore Accardo, Laura Manzini – Suite bergamasque, L. 75: III. Claire de lune (04:49)
5. Salvatore Accardo, Laura Manzini – Préludes, Livre 1, L. 117: No. 12, Minstrels (02:38)
6. Salvatore Accardo, Laura Manzini – Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (02:37)
7. Salvatore Accardo, Laura Manzini – Ariettes oubliées, L. 60: No. 2, Il pleure dans mon coeur (03:51)
8. Salvatore Accardo, Laura Manzini – Violin Sonata No. 2, M. 77: I. Allegretto (08:59)
9. Salvatore Accardo, Laura Manzini – Violin Sonata No. 2, M. 77: II. Blues. Moderato (06:40)
10. Salvatore Accardo, Laura Manzini – Violin Sonata No. 2, M. 77: III. Perpetuum mobile. Allegro (04:14)
11. Salvatore Accardo, Laura Manzini – 2 Mélodies hébraïques, M.A 22: No. 1, Kaddisch. Lent (05:58)
12. Salvatore Accardo, Laura Manzini – Berceuse sur le nom de Gabriel Fauré, M. 74 (02:45)
13. Salvatore Accardo, Laura Manzini – Vocalise-étude en forme de Habanera, M. 51 (03:07)
14. Salvatore Accardo, Laura Manzini – Tzigane, M. 76 (11:45)

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Two composing masters of impressionism – Claude Debussy with his final Sonata No. 3 and some transcriptions of famous pieces for piano, and Maurice Ravel with his youthful, short Sonata No. 1, combined with tributes to friends who were virtuoso violinists.This album was recorded in the Sala dell’Ermellino – Casa della Musica in Milano in November 2019. For this prestigious recording Giulio Cesare Ricci used the legendary original tube microphones Neumann U47, U48. Recordings are in Stereo DSD on Pyramix using the dCS A/D and D/A converters. A state-of-the-art system without any sound manipulation, neither equalization, nor reverberation, nor compression and expansion…but natural sound with true timbre to best enhance the acoustics of the Sala dell’Ermellino. The mastering has been realized by Giulio Cesare Ricci using the Signoricc