Artist: Riccardo Minasi
Album: Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 01:03:54
Total Tracks: 9
Total Size: 563 MB
Tracklist:
1-1. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Introduzione. Maestoso ed adagio (05:27)
1-2. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata I. Pater, dimitte illis, quia nesciunt, quid faciunt. Largo (06:44)
1-3. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata II. Hodie mecum eris in Paradiso. Grave e cantabile (08:34)
1-4. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata III. Mulier, ecce filius tuus. Grave (09:57)
1-5. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata IV. Deus meus, Deus meus, ut quid dereliquisti me ? Largo (07:21)
1-6. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata V. Sitio. Adagio (08:56)
1-7. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata VI. Consummatum est ! Lento (07:37)
1-8. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Sonata VII. In manus tuas, Domine, commendo spiritum meum. Largo (07:36)
1-9. Ensemble Resonanz – Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1: Il Terremoto. Presto e con tutta la forza (01:38)
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Following a disc of cello concertos and symphonies by CPE Bach (Diapason d’Or, ffff Télérama), the musicians of the Ensemble Resonanz continue their very personal exploration of Eighteenth Century orchestral music.
For several years now, under the direction of inspired conductor Maestro Riccardo Minasi, the ensemble has taken up the challenge of playing instruments with a ‘modern’ setup (violins, violas and basses with metal strings) with complete mastery of historically informed performance practice.
Forty years after what has been called ‘the Baroque revolution’, it’s a pleasure to rediscover these nine orchestral movements literally inhabited by the divine words of Christ on the cross – and displaying that rhetorical skill of which Joseph Haydn was a peerless exponent.