Boston Symphony Orchestra – Shostakovich: Symphonies Nos. 9 & 5 (Live) [Remastered 2022] (2022) [FLAC 24 bit, 96 kHz]

Boston Symphony Orchestra - Shostakovich: Symphonies Nos. 9 & 5 (Live) [Remastered 2022] (2022) [FLAC 24 bit, 96 kHz] Download

Artist: Boston Symphony Orchestra
Album: Shostakovich: Symphonies Nos. 9 & 5 (Live) [Remastered 2022]
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:11:32
Total Tracks: 9
Total Size: 693 MB

Tracklist:

1-1. Boston Symphony Orchestra – I. Allegro (Live) [Remastered 2022] (05:26)
1-2. Boston Symphony Orchestra – II. Moderato – Adagio (Live) [Remastered 2022] (13:35)
1-3. Boston Symphony Orchestra – III. Presto (Live) [Remastered 2022] (03:11)
1-4. Boston Symphony Orchestra – IV. Largo (Live) [Remastered 2022] (03:24)
1-5. Boston Symphony Orchestra – V. Allegretto (Live) [Remastered 2022] (05:43)
1-6. Boston Symphony Orchestra – I. Moderato (Live) [Remastered 2022] (13:46)
1-7. Boston Symphony Orchestra – II. Allegretto (Live) [Remastered 2022] (04:33)
1-8. Boston Symphony Orchestra – III. Largo (Live) [Remastered 2022] (13:13)
1-9. Boston Symphony Orchestra – IV. Allegro non troppo (Live) [Remastered 2022] (08:37)

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The Boston Symphony Orchestra and Andris Nelsons earned a Grammy Award in 2015 for their first volume in this Shostakovich series, entitled Shostakovich: Under Stalin’s Shadow. The five album set focuses on works composed during the period of Shostakovich’s difficult relationship with Stalin and the Soviet regime. This installment includes the popular, pre-war Fifth Symphony, the darkly compelling mid-war Eighth Symphony and the elusive, post-victory Symphony No. 9, plus excerpts from Shostakovich’s incidental music for a farcical 1932 Moscow production of Hamlet. These performances were recorded in late 2015 and early 2016 at Boston’s Symphony Hall, one of the world’s most renowned venues for acoustic excellence.
“I could not live without the music of Shostakovich. I’m sure it has something to do with having grown up in the Soviet Union and my connection to the conducting tradition there in St. Petersburg, his hometown, where I studied. But also I feel close to Shostakovich as a person, since he was naively shy rather like myself. I can’t entirely explain why I have such an intimate relationship with his music, but I feel like I know him, in a mystical way.”

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