Artist: Nils Monkemeyer
Album: Baroque
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:13:52
Total Tracks: 19
Total Size: 1,28 GB

Tracklist:

1-1. Nils Monkemeyer – Pieces de theorbe et de luth_ Suite in F Minor: I. Allemande, “La Plainte” (03:56)
1-2. Nils Monkemeyer – Pieces de theorbe et de luth: Suite in F Minor: II. Courante (01:39)
1-3. Nils Monkemeyer – Pieces de theorbe et de luth: Suite in F Minor: III. Gigue (01:35)
1-4. Nils Monkemeyer – Suite No. 5 for Viola and Theorbe in G Minor, BWV 995: I. Prelude (05:32)
1-5. Nils Monkemeyer – Suite No. 5 for Viola Solo in C Minor, BWV 1011: I. Prelude (05:58)
1-6. Nils Monkemeyer – Suite No. 5 for Viola and Theorbe in G Minor, BWV 995: II. Allemande (04:31)
1-7. Nils Monkemeyer – Suite No. 5 for Viola Solo in C Minor, BWV 1011: II. Allemande (04:50)
1-8. Nils Monkemeyer – Suite No. 5 for Viola and Theorbe in G Minor, BWV 995: III. Courante (02:01)
1-9. Nils Monkemeyer – Suite No. 5 for Viola Solo in C Minor, BWV 1011: III. Courante (01:44)
1-10. Nils Monkemeyer – Suite No. 5 for Viola and Theorbe in G Minor, BWV 995: IV. Sarabande (04:30)
1-11. Nils Monkemeyer – Suite No. 5 for Viola Solo in C Minor, BWV 1011: IV. Sarabande (05:04)
1-12. Nils Monkemeyer – Suite No. 5 for Viola and Theorbe in G Minor, BWV 995: V. Gavotte 1 & 2 (05:23)
1-13. Nils Monkemeyer – Suite No. 5 for Viola Solo in C Minor, BWV 1011: V. Gavotte 1 & 2 (04:58)
1-14. Nils Monkemeyer – Suite No. 5 for Viola and Theorbe in G Minor, BWV 995: VI. Gigue (02:03)
1-15. Nils Monkemeyer – Suite No. 5 for Viola Solo in C Minor, BWV 1011: VI. Gigue (01:36)
1-16. Nils Monkemeyer – Rondeau in C Major for Viola and Lute, BWV 1025, No. 4 (03:19)
1-17. Dorothee Mields, Andreas Arend, Nils Monkemeyer, Niklas Trüstedt, Phillip Schulz, Sara Kim – Airs de cour: Vos mepris chaque jour (05:39)
1-18. Dorothee Mields, Andreas Arend, Nils Monkemeyer, Niklas Trüstedt, Phillip Schulz, Sara Kim – Airs de cour: Ombre de mon amant (04:55)
1-19. Nils Monkemeyer – Nun komm, der Heiden Heiland, BWV 659 (Arr. for Viola and Lute) (04:29)

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The liner notes aren’t very clear, so here are the details of this most singular recording, which focuses especially on Bach. Violist Nils Mönkemeyer and lutist Andreas Arend have chosen to perform, in a single “double” suite – BWV 995 and 1011 – the two preludes to the suite, and then the two allemandes etc. – in the knowledge that the BWV 995 is transcription for solo lute made by Bach himself of his own Suite for Cello n°5 BWV 1011… But here, we hear BWV 995 re-written by our two soloists, for viol and lute. As for the Suite BWV 1011, originally written for solo cello, Mönkemeyer has given it over to solo viola, without making any changes to the discourse. At every turn, movement by movement, the juxtaposition shows off the “developed” harmony that Bach gives to the lute, more inferred than really written out, just as in the version for the solo instrument. Mönkemeyer and Arend round off the programme with other examples of the very ancient and widely-practised baroque-era habit of transcription, with pieces by Robert de Visée and Michel Lambert (who were themselves models for Bach when he wrote “à la française”) and the famous lutist Leopold Weiss, a friend of Bach’s, whose Rondeau was long thought to be a work of Bach’s before musicologists credited its true composer.