Artist: Bach Collegium Japan, Masaaki Suzuki
Album: Mozart – Requiem
Genre: Classical
Release Date: 2014
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:14:34
Total Tracks: 22
Total Size: 1,29 GB

Tracklist:

1. Marianne Beate Kielland – (Requiem, K626 (1791)) – I. Introitus: Requiem (04:25)
2. Marianne Beate Kielland – (Requiem, K626 (1791)) – II. Kyrie (02:19)
3. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 1. Dies irae (01:57)
4. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 2. Tuba mirum (02:49)
5. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 3. Rex tremendae (01:59)
6. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 4. Recordare (04:06)
7. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 5. Confutatis (02:19)
8. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 6. Lacrimosa (03:06)
9. Marianne Beate Kielland – (Requiem, K626 (1791)) – III. Sequentia – 7. Amen (01:05)
10. Marianne Beate Kielland – (Requiem, K626 (1791)) – IV. Offertorium – 1. Domine Jesu (03:12)
11. Marianne Beate Kielland – (Requiem, K626 (1791)) – IV. Offertorium – 2. Hostias (03:21)
12. Marianne Beate Kielland – (Requiem, K626 (1791)) – V. Sanctus (01:24)
13. Marianne Beate Kielland – (Requiem, K626 (1791)) – VI. Benedictus (05:12)
14. Marianne Beate Kielland – (Requiem, K626 (1791)) – VII. Agnus Dei (03:37)
15. Marianne Beate Kielland – (Requiem, K626 (1791)) – VIII. Communio: Lux aeterna (05:20)
16. Marianne Beate Kielland – (Vesperae solennes de confessore, K339 (1780)) – I. Dixit Dominus (Psalm 109) (04:12)
17. Marianne Beate Kielland – (Vesperae solennes de confessore, K339 (1780)) – II. Confitebor (Psalm 110) (04:12)
18. Marianne Beate Kielland – (Vesperae solennes de confessore, K339 (1780)) – III. Beatus vir (Psalm 111) (04:48)
19. Marianne Beate Kielland – (Vesperae solennes de confessore, K339 (1780)) – IV. Laudate pueri (Psalm 112) (03:10)
20. Marianne Beate Kielland – (Vesperae solennes de confessore, K339 (1780)) – V. Laudate Dominum (Psalm 116) (04:10)
21. Marianne Beate Kielland – (Vesperae solennes de confessore, K339 (1780)) – VI. Magnificat (04:24)
22. Marianne Beate Kielland – Tuba mirum from Requiem, alternative version (03:19)

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Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.