Artist: Marco Beltrami
Album: The Nun II (Original Motion Picture Soundtrack)
Genre: Soundtrack
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 56:44
Total Tracks: 20
Total Size: 593 MB

Tracklist:

1-01. Marco Beltrami – The Nun’s Story (04:09)
1-02. Marco Beltrami – The Nun Too (01:46)
1-03. Marco Beltrami – Mean Girls (01:40)
1-04. Marco Beltrami – They Deliver, They Die (01:55)
1-05. Marco Beltrami – Debra and Irene (01:49)
1-06. Marco Beltrami – Crime Scene (02:16)
1-07. Marco Beltrami – It’s You Maurice (03:38)
1-08. Marco Beltrami – Nuns in the News (02:15)
1-09. Marco Beltrami – Nunconscious (02:54)
1-10. Marco Beltrami – Follow the Rosary (03:10)
1-11. Marco Beltrami – Goat Check (05:07)
1-12. Marco Beltrami – The Goat (04:08)
1-13. Marco Beltrami – Cucaracha Boca (03:19)
1-14. Marco Beltrami – The Bell Tower (01:51)
1-15. Marco Beltrami – Goodnight Irene (03:08)
1-16. Marco Beltrami – Nun or Goat (01:44)
1-17. Marco Beltrami – I’ll Have the Red (04:33)
1-18. Marco Beltrami – Release the Beast Maurice (01:42)
1-19. Marco Beltrami – Second to Nun (02:00)
1-20. Marco Beltrami – Goodbyes (03:29)

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After having his mainstream breakthrough with the Wes Craven slasher film Scream in 1996, American composer Marco Beltrami became closely associated with his stirring, percussive orchestral scores for horror, action, and science fiction movies, including further collaborations with Craven. His first of multiple Academy Award nominations came with the 2007 remake of the western 3:10 to Yuma. Fifteen years after the first installment, 2011’s Scream 4 was his fourth straight score for the series. In 2015, Beltrami collaborated with Philip Glass on music for the Marvel Comics film Fantastic Four, and in 2018, his score was one of the few things that could be heard in the hit horror movie A Quiet Place. He followed up two years later with A Quiet Place Part II, and returned to Marvel without Glass for 2021’s Venom. A New York native, Beltrami attended Brown University and the Yale School of Music, eventually studying with Luigi Nono in Italy before apprenticing with none other than Jerry Goldsmith in Los Angeles. He got his professional start in film and television in the early ’90s, earning his first main composer credit on 1994’s Death Match. He scored projects including the horror film The Whispering (1995) and the syndicated TV drama Land’s End (1995-1996) before Scream hit theaters in late 1996. He went on to compose music for Guillermo del Toro (1997’s Mimic) and Robert Rodriguez (1998’s The Faculty) as well as reuniting with Craven for Scream 2 (1998) before the end of the decade.