Ann-Helena Schlüter – J.S. Bach: Fantasias & Duets (2019) [FLAC 24bit, 44,1 kHz]

Ann-Helena Schlüter - J.S. Bach: Fantasias & Duets (2019) [FLAC 24bit, 44,1 kHz] Download

Artist: Ann-Helena Schlüter
Album: J.S. Bach: Fantasias & Duets
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24bit, 44,1 kHz
Duration: 01:06:01
Total Tracks: 14
Total Size: 519 MB

Tracklist:

01. Ann-Helena Schlüter – Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” (08:21)
02. Ann-Helena Schlüter – Chromatic Fantasia & Fugue in D Minor, BWV 903 (10:26)
03. Ann-Helena Schlüter – Ich ruf zu dir, Herr Jesu, BWV 639 (Arr. for Piano) (03:07)
04. Ann-Helena Schlüter – Was mir behagt, ist nur die muntre Jagd, BWV 208: No. 9, Schafe können sicher weiden (Arr. for Piano) (04:40)
05. Ann-Helena Schlüter – Herz und Mund und Tat und Leben, BWV 147: No. 10, Jesus bleibet meine Freude (Arr. for Piano) (03:18)
06. Ann-Helena Schlüter – Duetto No. 1 in E Minor, BWV 802 (02:35)
07. Ann-Helena Schlüter – Duetto No. 2 in F Major, BWV 803 (02:59)
08. Ann-Helena Schlüter – Duetto No. 3 in G Major, BWV 804 (02:09)
09. Ann-Helena Schlüter – Duetto No. 4 in A Minor, BWV 805 (03:39)
10. Ann-Helena Schlüter – Fuga on “Allein Gott in der Höh sei Ehr”, BWV 677 (Arr. for Piano) (00:58)
11. Ann-Helena Schlüter – Fuga on “Jesu Christus, unser Heiland”, BWV 689 (Arr. for Piano) (04:54)
12. Ann-Helena Schlüter – Gott heiliger Geist, BWV 674 (Arr. for Piano) (01:43)
13. Ann-Helena Schlüter – Musikalisches Opfer, BWV 1079 (Excerpts Arr. for Piano): Ricercar a 3 (07:31)
14. Ann-Helena Schlüter – Musikalisches Opfer, BWV 1079 (Excerpts Arr. for Piano): Ricercar a 6 (09:35)

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My own music is influenced by the music of Bach. Having studied in the ‘Bach city’ of Leipzig, fallen in love with his fugues as a child and won with his Preludes in the Jugend musiziert competition, achieved my first Bach cycle with the Goldberg Variations, then I was moved more and more deeply by the Credo, the inner conviction, in Bach’s music. My imaginative powers, my musical energy (timbres, sounds, creativity, and poetry) must be imbued with this richness. New music looks quite different from what it was in Bach’s day (some even say it is all philosophy now, no melodies, notes or harmonies required). If modern music is still to be music, even today, and if it is still to enrich people’s lives, a thing of value that they can and will remember, then Bach’s store of wealth can always come to the aid of us composers. And so it is that J.S. Bach, who never left Germany and spent so long in Leipzig for want of a better position, today more than ever embraces the whole world with a web of his music, in all the places he never travelled to, whether Spain, Franconia, Hesse, Sweden, or far beyond Europe. (Ann-Helena Schlüter)

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