Artist: Kate Bush
Album: The Dreaming
Genre: Pop, Rock
Release Date: 1982/2018
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 43:21
Total Tracks: 10
Total Size: 468 MB

Tracklist:

1. Kate Bush – Sat in Your Lap (03:29)
2. Kate Bush – There Goes a Tenner (03:24)
3. Kate Bush – Pull Out the Pin (05:25)
4. Kate Bush – Suspended in Gaffa (03:54)
5. Kate Bush – Leave It Open (03:19)
6. Kate Bush – The Dreaming (04:40)
7. Kate Bush – Night of the Swallow (05:22)
8. Kate Bush – All the Love (04:28)
9. Kate Bush – Houdini (03:49)
10. Kate Bush – Get Out of My House (05:25)

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The Dreaming (2018 Remaster) by Kate Bush is the English singer’s fourth studio ablum. Newly remastered by Bush and James Guthrie.

Four albums into her burgeoning career, Kate Bush’s The Dreaming is a theatrical and abstract piece of work, as well as Bush’s first effort in the production seat. She throws herself in head first, incorporating various vocal loops, sometimes campy, but always romantic and inquisitive of emotion. She’s angry and pensive throughout the entire album, typically poetic while pushing around the notions of a male-dominated world. However, Kate Bush is a daydreamer. Unfortunately, The Dreaming, with all it’s intricate mystical beauty, isn’t fully embraced compared to her later work. Album opener “Sat in Your Lap” is a frightening slight on individual intellect, with a booming chorus echoing over throbbing percussion and a butchered brass section. “Leave It Open” is goth-like with Bush’s dark brooding, which is a suspending scale of vocalic laments, but it’s the vivacious and moody “Get Out of My House” that truly brings Bush’s many talents for art and music to the forefront. It prances with dripping piano drops and gritty guitar, and the violent rage felt as she screams “Slamming,” sparking a fury similar to what Tori Amos later ignited during her inception throughout the ’90s. Not one to be in fear of fear, The Dreaming is one of Kate Bush’s underrated achievements in depicting her own visions of love, relationships, and role play, not to mention a brilliant predecessor to the charming beauty of 1985’s Hounds of Love.