Jeno Jando – Haydn: The Seven Last Words of Our Saviour on the Cross (2014) [FLAC 24 bit, 96 kHz]

Jeno Jando - Haydn: The Seven Last Words of Our Saviour on the Cross (2014) [FLAC 24 bit, 96 kHz] Download

Artist: Jeno Jando
Album: Haydn: The Seven Last Words of Our Saviour on the Cross
Genre: Classical
Release Date: 2014
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:07:42
Total Tracks: 9
Total Size: 1,02 GB

Tracklist:

01. Jeno Jando – Die 7 letzten Worte unseres Erlösers am Kreuze, Hob. XX:1C: Introduction (Maestoso ed adagio) (05:30)
02. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 1, Pater, Pater, dimitte illis, quia nesciunt quid faciunt (Largo) (07:11)
03. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 2, Hodie mecum eris in paradiso (Grave e cantabile) (08:56)
04. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 3, Ecce Mulier, filius tuus (Grave) (09:54)
05. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 4, Deus meus, Deus meus, ut quid dereliquisti me (Largo) (07:22)
06. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 5, Sitio (Adagio) (09:43)
07. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 6, Consummatum est (Largo) (08:31)
08. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Sonata 7, In manus tuas, Domine, commendo spiritum meum (Largo) (08:21)
09. Jeno Jando – Die 7 letzten Worte unseres Erlosers am Kreuze, Hob. XX:1C: Il terremoto (Presto) (02:10)

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The request for Haydn to write The Seven Last Words came from a priest in Cádiz to mark Good Friday. Setting the words of Christ gave Haydn the basis for the construction of seven slow and meditative movements to be played by the orchestra as the Bishop descended from the pulpit to pray. The following year Haydn arranged the work for string quartet and a version for keyboard was prepared. To this version, which he did not prepare himself, Haydn gave his wholehearted approval noting that it was ‘very good and made with particular care’.

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