Golda Schultz – Mozart: Requiem in D Minor, K. 626 “Missa pro defunctis” (2022) [FLAC 24bit, 96 kHz]

Golda Schultz - Mozart: Requiem in D Minor, K. 626

Artist: Golda Schultz
Album: Mozart: Requiem in D Minor, K. 626 “Missa pro defunctis”
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 43:24
Total Tracks: 14
Total Size: 827 MB

Tracklist:

1-1. Golda Schultz – I. Introitus. Requiem aeternam (04:11)
1-2. Coro del Teatro di Regio di Torino – II. Kyrie (02:13)
1-3. Coro del Teatro di Regio di Torino – IIIa. Dies irae (01:39)
1-4. Golda Schultz – IIIb. Tuba mirum (03:00)
1-5. Coro del Teatro di Regio di Torino – IIIc. Rex tremendae (01:34)
1-6. Golda Schultz – IIId. Recordare (05:19)
1-7. Coro del Teatro di Regio di Torino – IIIe. Confutatis (02:19)
1-8. Coro del Teatro di Regio di Torino – IIIf. Lacrymosa (02:44)
1-9. Golda Schultz – IVa. Domine Jesu (03:22)
1-10. Coro del Teatro di Regio di Torino – IVb. Hostias (03:53)
1-11. Coro del Teatro di Regio di Torino – V. Sanctus (01:16)
1-12. Golda Schultz – VI. Benedictus (04:13)
1-13. Coro del Teatro di Regio di Torino – VII. Agnus Dei (02:50)
1-14. Golda Schultz – VIII. Lux aeterna (04:43)

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Mozart accepted an anonymous commission to write a Requiem in July 1791. He worked on it during a series of hectic composition, premieres and urgent deadlines that would eventually prove fatal. Mozart’s already failing health, coupled with dark delusions of him being poisoned, convinced the composer that he was writing the Requiem for his own funeral. At his death, very little had been completed in full and much was left in draft form, so it was largely Mozart’s pupil Franz Xaver Süssmayr who completed the work, composing the missing Sanctus and Agnus Dei. This sublime work embraces Bach-like elements coupled with astonishing harmonic modernity in what has become one of Mozart’s best-loved works.

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