Artist: Collegium Vocale Gent, Philippe Herreweghe
Album: Bach: Mit Fried und Freud (Remastered)
Genre: Classical
Release Date: 1998/2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 58:26
Total Tracks: 19
Total Size: 1016 MB

Tracklist:

1. Collegium Vocale Gent – I. Coro “Liebster Gott, wenn werd ich sterben” (06:40)
2. Mark Padmore – II. Aria “Was willst du dich, mein Geist, entsetzen” (03:45)
3. Ingeborg Danz – III. Recitativo “Zwar fühlt mein schwaches Herz” (00:54)
4. Peter Kooy – IV. Aria “Doch weichet, ihr tollen, vergeblichen Sorgen” (04:47)
5. Deborah York – V. Recitativo “Behalte nur, o Welt, das Meine” (01:03)
6. Collegium Vocale Gent – VI. Choral “Herrscher über Tod und Leben” (01:29)
7. Collegium Vocale Gent – I. Coro “Mit Fried und Freud ich fahr dahin” (05:27)
8. Ingeborg Danz – II. Aria “Ich will auch mit gebrochnen Augen” (07:52)
9. Peter Kooy – III. Recitativo “O Wunder, daß ein Herz” (02:17)
10. Mark Padmore – IV. Aria Duetto “Ein unbegreiflich Licht erfüllt” (05:19)
11. Ingeborg Danz – V. Recitativo “O unerschöpfter Schatz der Güte” (00:42)
12. Collegium Vocale Gent – VI. Choral “Er ist das Heil und selig Licht” (01:05)
13. Collegium Vocale Gent – I. Choral – Recitativo “Warum betrübst du dich, mein Herz” – “Ach, ich bin arm” (04:26)
14. Peter Kooy – II. Recitativo “Ich bin veracht'” (00:51)
15. Collegium Vocale Gent – III. Choral – Recitativo: “Er kann und will dich lassen dich” – “Ach, wie?” – “Ich bin verlassen” (03:33)
16. Mark Padmore – IV. Recitativo “Ach süßer Trost” (00:59)
17. Peter Kooy – V. Aria “Auf Gott steht meine Zuversicht” (04:29)
18. Ingeborg Danz – VI. Recitativo “Ei nun!” (00:27)
19. Collegium Vocale Gent – VII. Choral “Weil du mein Gott und Vater bist” (02:10)

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The theme of death and dying was one of the favourite themes ofBach and his contemporaries in their cantatas – that “musical theology”which was held in such high esteem in deeply Lutheran Northern Germany.Composed between 1723 and 1725, the three cantatas on this record treatthe subject from different angles: the expectation of a “marvellousdawn” (BWV 8), the final departure in peace and joy (BWV 125), and thevanity of earthly existence (BWV 138). There is “no consolation onearth”, but only in heaven – what other composer, what other artistsucceeded in expressing this consolation with such depth, or with suchobviousness as Bach?