Florian Helgath, Ruhr ChorWerk – Heinrich Schütz: Musikalische Exequien & Nikolaus Brass: Voices (2022) [FLAC 24 bit, 96 kHz]

Florian Helgath, Ruhr ChorWerk - Heinrich Schütz: Musikalische Exequien & Nikolaus Brass: Voices (2022) [FLAC 24 bit, 96 kHz] Download

Artist: Florian Helgath, Ruhr ChorWerk
Album: Heinrich Schütz: Musikalische Exequien & Nikolaus Brass: Voices
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 56:44
Total Tracks: 8
Total Size: 968 MB

Tracklist:

1-01. Ruhr ChorWerk – Herr, nun lässest du deinen Diener in Frieden fahren, SWV 432 (03:12)
1-02. Ruhr ChorWerk – Earth Diver: I, Voices I (07:11)
1-03. Ruhr ChorWerk – Musikalische Exequien, Op. 7, SWV 279: I. Teil I. Konzert in Form einer deutschen Begräbnis-Missa. Nacket bin ich von Mutterleibe kommen (03:39)
1-04. Ruhr ChorWerk – Musikalische Exequien, Op. 7: III. Teil I. Konzert in Form einer deutschen Begräbnis-Missa. Also hat Gott die Welt geliebt (19:40)
1-05. Ruhr ChorWerk – Musikalische Exequien, Op. 7: III. Teil II. Herr, wenn ich nur dich habe (03:04)
1-06. Ruhr ChorWerk – Musikalische Exequien, Op. 7, SWV 281: IV. Teil III. Herr, nun lässest du deinen Diener in Frieden fahren (04:18)
1-07. Ruhr ChorWerk – Earth Diver: Voices II (12:18)
1-08. Ruhr ChorWerk – Selig sind die Toten, SWV 391 (03:18)

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The encounter of different epochs is often the decisive moment of tension in music programmes. Chorwerk Ruhr chooses a particularly original path in its latest prank: a central work by Heinrich Schütz is juxtaposed with what Nikolaus Brass, born in 1949, develops from his encounter with the work of arguably the greatest German vocal composer of the early Baroque. Schütz’s Musikalische Exequien, a three-part funeral music with German text from 1637, vividly depicts suffering and death, but in accordance with Christian doctrine also gives great space to the certainty of salvation. Nikolaus Brass, as he says, conscious of this certainty, interrogates the music of his revered colleague and responds partly with almost verbatim quotations, partly with strongly contrasting passages from his works Voices 1 and Voices 2. In this new production, these two frame the Exequien as a large central work, again framed by two Schütz mottoes, so that a symmetrical overall arrangement is formed.

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