Emily Jane White – They Moved In Shadow All Together (2016) [FLAC 24 bit, 96 kHz]

Emily Jane White - They Moved In Shadow All Together (2016) [FLAC 24 bit, 96 kHz] Download

Artist: Emily Jane White
Album: They Moved In Shadow All Together
Genre: Indie Folk
Release Date: 2016
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 40:52
Total Tracks: 11
Total Size: 879 MB

Tracklist:

01. Emily Jane White – Frozen Garden (03:56)
02. Emily Jane White – Pallid Eyes (03:54)
03. Emily Jane White – Hands (03:22)
04. Emily Jane White – Nightmares on Repeat (04:39)
05. Emily Jane White – Rupturing (04:29)
06. Emily Jane White – Moulding (03:20)
07. Emily Jane White – The Ledge (03:01)
08. Emily Jane White – The Black Dove (03:32)
09. Emily Jane White – Antechamber (02:44)
10. Emily Jane White – Womankind (04:20)
11. Emily Jane White – Behind the Glass (03:31)

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The title of Emily Jane White’s fifth album, They Moved in Shadow All Together, is a play on the opening line from Cormac McCarthy’s novel Outer Dark which hauntingly depicts a group of uncanny travellers descending a hill in the Appalachian mountains. White remembers being struck by the vision of the travellers’ collective movement – fragmented, yet whole – and felt its resonance with her burgeoning record and its thematic exploration of trauma. The 11 songs on They Moved in Shadow All Together focus conceptually upon the symptomatology of trauma, a pattern of experiences marked by a fragmentation of the self. These songs contend with the impact of trauma on individual and collective identity – the shattered pieces within the psyche left to cope after tragedy, and the dissociative co-habitance of belief and disbelief that results. White wrote “The Black Dove” in support of the anti-racist struggle against police violence. In “Womankind,” she mourns the continuing epidemic of violence against women, and the silences that suppress the truths of survivors. She studied classical singing while working on this album, which enabled her to broaden her vocal range. Throughout the recording process, she experimented extensively in the echo chamber at John Vanderslice’s Tiny Telephone studio in San Francisco. She used the room as her instrument, wherein she gave herself permission to roam free, exploring every capability and constraint.

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