Artist: Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo
Album: Dvořák: Works for Cello
Genre: Classical
Release Date: 2019
Audio Format: FLAC (tracks) 24bit, 96 kHz
Duration: 01:03:53
Total Tracks: 6
Total Size: 1,10 GB
Tracklist:
1. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Cello Concerto No. 2 in B Minor, Op. 104, B. 191: I. Allegro (16:01)
2. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Cello Concerto No. 2 in B Minor, Op. 104, B. 191: II. Adagio ma non troppo (13:10)
3. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Cello Concerto No. 2 in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato (14:08)
4. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Klid, Op. 68 No. 5, B. 182 (Version for Cello & Orchestra) (06:41)
5. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Rondo in G Minor, Op. 94, B. 181 (09:13)
6. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – 4 Lieder, Op. 82, B. 157: No. 1, Lasst mich allein (Arr. for Cello & Piano) (04:38)
2. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Cello Concerto No. 2 in B Minor, Op. 104, B. 191: II. Adagio ma non troppo (13:10)
3. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Cello Concerto No. 2 in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato (14:08)
4. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Klid, Op. 68 No. 5, B. 182 (Version for Cello & Orchestra) (06:41)
5. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – Rondo in G Minor, Op. 94, B. 181 (09:13)
6. Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii, Juan Carlos Garvayo – 4 Lieder, Op. 82, B. 157: No. 1, Lasst mich allein (Arr. for Cello & Piano) (04:38)
Download Links:
https://xubster.com/1p98vo6pvmn1/Ad0lf0GutirrezArenasDv0kW0rksf0rCell02019WEBFLAC2496.part1.rar.html
https://xubster.com/8gxr5vycbtxb/Ad0lf0GutirrezArenasDv0kW0rksf0rCell02019WEBFLAC2496.part2.rar.html
https://xubster.com/8gxr5vycbtxb/Ad0lf0GutirrezArenasDv0kW0rksf0rCell02019WEBFLAC2496.part2.rar.html
It is the part the cello must interpret by assuming or acquiring a human nature. Dvořák transforms it into a warm lyrical baritone. He repopulates it with harmonics and nuances. And he shows us that the best way to overcome cello “limitations” is none other than to transcend it. Dvořák turns the cello into a meta-cello. Just as in a Mephistophelian pact, he achieves the feat of “animating” it. And the soul is in the score. You have to know how to find it. No one better to do it than Adolfo Gutiérrez Arenas, from his sensitivity, spontaneity and affinity to an instrument he would never have wanted to explore if Bach and Dvořák had not persuaded him otherwise.