Artist: Eric Revis
Album: Slipknots Through a Looking Glass
Genre: Jazz
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 57:18
Total Tracks: 11
Total Size: 588 MB

Tracklist:

1. Eric Revis – Baby Renfro (04:59)
2. Eric Revis – SpÆ (04:47)
3. Eric Revis – Earl & the Three-Fifths Compromise (07:14)
4. Eric Revis – Slipknots Through a Looking Glass, Pt. 1 (02:21)
5. Eric Revis – Shutter (04:43)
6. Eric Revis – ProByte (06:19)
7. Eric Revis – Slipknots Through a Looking Glass, Pt. 2 (01:28)
8. Eric Revis – House of Leaves (07:07)
9. Eric Revis – When I Become Nothing (03:30)
10. Eric Revis – Vimen (11:33)
11. Eric Revis – Slipknots Through a Looking Glass, Pt. 3 (03:10)

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Poised to challenge those limited views of Revis’ expression, Slipknots Through a Looking Glass — his eighth solo-led album, and first release on Pyroclastic Records — explores new territory alongside familiar travelers: drummer Chad Taylor, pianist Kris Davis and saxophone masters Darius Jones and Bill McHenry. “The band is kind of an amalgam of groups I’ve previously recorded with,” says Revis, who sought to combine the energies of various project iterations on a single record.Heralded by critics as “powerful,” “raw” and “fierce,” Revis’ playing frequently becomes mischaracterized by way of omission. While he plays and composes with master-level intensity, the intrinsic vulnerability present in any form of experimenting — and deeply present in Revis’ artistry — rarely yields recognition among music writers. “I don’t mind those kinds of descriptions or monikers,” he says, “but not when it’s at the negation of everything else. There may be an air of robustness around my music, but there is a lot of sensitivity and intellectual content.”

Poised to challenge those limited views of Revis’ expression, Slipknots Through a Looking Glass — his eighth solo-led album, and first release on Pyroclastic Records — explores new territory alongside familiar travelers: drummer Chad Taylor, pianist Kris Davis and saxophone masters Darius Jones and Bill McHenry. “The band is kind of an amalgam of groups I’ve previously recorded with,” says Revis, who sought to combine the energies of various project iterations on a single record.