Artist: Kristian Bezuidenhout, Freiburger Barockorchester, Gottfried von der Goltz
Album: Mozart: Piano Concertos, K. 413, 414 & 415
Genre: Classical
Release Date: 2016
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:09:29
Total Tracks: 9
Total Size: 1,17 GB

Tracklist:

1-01. Kristian Bezuidenhout, Gottfried der Goltz and Freiburger Barockorchester – Piano Concerto in A Major, K. 414: I. Allegro (10:03)
1-02. Kristian Bezuidenhout, Freiburger Barockorchester and Gottfried der Goltz – Piano Concerto in A Major, K. 414: II. Andante (07:43)
1-03. Kristian Bezuidenhout, Gottfried der Goltz and Freiburger Barockorchester – Piano Concerto in A Major, K. 414: III. Rondeau. Allegretto (06:08)
1-04. Kristian Bezuidenhout, Freiburger Barockorchester and Gottfried der Goltz – Piano Concerto in F Major, K. 413: I. Allegro (09:01)
1-05. Kristian Bezuidenhout, Gottfried der Goltz and Freiburger Barockorchester – Piano Concerto in F Major, K. 413: II. Larghetto (06:41)
1-06. Kristian Bezuidenhout, Freiburger Barockorchester and Gottfried der Goltz – Piano Concerto in F Major, K. 413: III. Tempo di Menuetto (05:07)
1-07. Kristian Bezuidenhout, Gottfried der Goltz and Freiburger Barockorchester – Piano Concerto in C Major, K. 415: I. Allegro (10:08)
1-08. Kristian Bezuidenhout, Gottfried der Goltz and Freiburger Barockorchester – Piano Concerto in C Major, K. 415: II. Andante (06:58)
1-09. Kristian Bezuidenhout, Gottfried der Goltz and Freiburger Barockorchester – Piano Concerto in C Major, K. 415: III. Rondeau. Allegro (07:38)

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In January 1783 Mozart advertised in the Wiener Zeitung ‘the publication of three new, recently completed piano concertos’, which could even be played with quartet accompaniment – thus enabling him to reach a wider public. In similar vein, he told his father that they were ‘very brilliant and pleasing to the ear . . . Here and there only connoisseurs will derive satisfaction from them – yet in such a way that the non-connoisseur will also be pleased, without knowing why.’ It’s a fair bet that these dazzling performances by Kristian Bezuidenhout and the Freiburger Barockorchester will meet with the same unanimous approval!“The rounded tone, singing legato in slow movements and crisp articulation he coaxes from the instrument is far removed from the honky-tonk sounds of earlier attempts at period performances of the concertos…This well-known music sounds spontaneous and freshly conceived.” (Sunday Times)